조선후기 궁중 공연공간의 소통적 역할

Abstract

Communicative Role of Performance Space in Royal Palace in the later Joseon. Under this study, it has taken a look at how the culture of royal palace that was tightly closed was undertaken a role of communication through 『Uigwe』 and 「Jinyeondo」 with respect to the stage form and installations for the performance space where the royal palace performance of the later Joseon. The traditional performance space of Korea was not a public space as today until the public culture was developed. However, under the closed space, it has undertaken the role of communication to advance the performance art. The performance space where the performing art of the royal palace in the later Joseon has the living site to be facilitated as the performance space. Also, the performance space is classified for internal court and external court. The arrangement of external court symbolizes the establishment of kingship and dignity of royal family while realizing the open and integrated space in a way of making conspicuous performance by establishing the space appropriate for palace performance. The stage to decorate the performance space as the temporary special stage has profound relativity with participants, performance categories, performers and others. For having direct influence in the stage form for the palace performance, there are Bogye, Chail and Juryeom. Many attendees have made the space for them on the primary ground to make simple classification of identity, and moreover, it has a greater implication to be together in the performance space, as the great celebration beyond identity. Bogye could be said as the device to support the foregoing. Chail is installed regardless of internal court and external court that the installation of Chail is a required element in the palace performance. It has undertaken the role of stage during the later Joseon when the stage facilities are not available in a way of protecting performers and audiences with the great stage effect as part of important installations. Juryeom has the role to separate the space and gender due to the influence of Confucianism in internal court. This is understood as the solution in Juryeom or insignia in and out of musical stage for the issues generated by the court musicians to perform in internal court where the court musicians to participate by the queen, myeongbu (circle of women in Joseon Dynasty) and others in the Confucius society. Based on the Confucius ideology, the device of Juryeom is used to communicate to perform the music or severance of court musicians in internal court. Furthermore, it has become a device to engage in performances to the fullest by the Gyobangyeogi (female singers and dancers registered in government) that had the implied role to deliver the outside culture to the royal palace. As such, the performance space of the later Joseon is considered as facilitated for space of communication in the later Joseon where it places the importance of the principle of art and music together with the purpose of familiarity between the kingship and constituents.