제주 교방 예술의 전통과 가창 문학의 전승

Abstract

The purpose of this paper is to examine the tradition of Jeju(濟州) Gyobang(敎坊) Art and the aspect of transmission in singing literature, and to identify the value of Jeju Gyobang Art and its meaning. This paper was reviewed the aspect of the transmission of the Gagok(歌曲, Sijo(時調)) in the records of various writers who came and went to Jeju during the mid-Joseon Dynasty as well as Changminyo(唱民謠) which was widely enjoyed from the period of modern transition period. First of all, in the case of Gagok, I found the cases of personal interaction and enjoyment with Gisaengs(妓生), such as the cases of Imje(林悌) and Igoat(李襘) around the 16th century. In addition, I looked at the paintings on Tamlasuryeokdo(耽羅巡歷圖) and found that Gagok was performed as the main song of Gyobang in the early 18th century. Also, Kimjong's "Five Youngjoo Gagoks", which was created during this period, is valuable because it is a rare piece of song created in Jeju. In the case of Changminyo, various songs have been remained such as "Odoltogi," "Sancheonchomok," "Bongjiga" and "Dongpunga." These songs were mostly sung by Gisaeng in interrelations with Japga(雜歌) and folk songs from other regions in the early 20th century, and are well known to date. As a result of the review, the tradition of Jeju Changminyo has been found in the traces of enjoyment from the late 16th century. After that time, the songs of Gyobang and folk have been interrelated and inherited to the present.