『純祖戊子進爵儀軌」에서 「鄕唐交奏」 雅名의 문헌적 연구 - 자경전 내진작의 「향당교주」 아명과 동일한 중국의 악곡명을 중심으로-

Abstract

This study started from the idea which 「Hyangdang-gyoju」(鄕唐交奏) was known as late Choseon dynasty accompaniment music title of Jeongjae(呈才) as well as music note played in various court ceremony, and the composition of instrument was mixed national music instrument(鄕樂器) with Chinese Tang music instrument(唐樂器) of exterior aspect, also to examine the another meaning of 「Hyangdang-gyoju」 through various ways of the study. I examined the origin, the usage, and the characteristics, and relationship of thesame title music between Korea and China among 10 titles of the music note which have same title name with Chinese in 「Hyangdang-gyoju」 and explosively increased the number of the sort in Feb. 1828 in Jagyeongjeon Naejinjak. The title names as same with Chinese music in Jagyeongjeon Naejinjak of 「Hyangdang- gyoju」 were 「Cheonhyang-bongsojigok」(天香鳳韶之曲)․yeong-pungnyeonji-gok」(慶豊年之曲) ․onnyeong-jigok」(坤寧之曲)․yeongmanyeon-jigok」(慶萬年之曲)․amhwangeun-jigok」(感皇恩之曲)․hangunsong-jigok」(昌運頌之曲)․aseongjo-jigok」(賀聖朝之曲)․eongnamsan-jigok」(永南山之曲)․huitaepyeong-jigok」(醉太平之曲)․unghwa-jigok」(凝和之曲) etc. These 10 music title was played in every court ceremony at Queen‘s or King's pavilion, or prince's party. In Feb. 1828, 「Hyangdang-gyoju」 of Jagyeongjeon Naejinjak was selected as similar attribution and played as with Chinese court ceremony music, which was confirmed as important characteristics in the examination of the literature of 「Hyangdang-gyoju」.