도시와 ‘감응’하는 자의 실험: 벤야민의 도시 경험과 역사 개념의 문제
The Experiment of the City and ‘affect’:Benjamin's Urban Experience and Problem of Historical Concept
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
This paper started by inspecting the Korean translation and literary application examples of the word having the meaning of Spinoza's affectus / affect concept and seeing the experience and history of Walter Benjamin's city from the viewpoint of “responsive” Try. Walter Benjamin tried to understand the cities, things and culture of the 20th century in a manner that “responds” to some European cities. He applied such a method to historical research and extended it to a method of analyzing capitalist culture and history for the 20th century Arcade in Paris. Benjamin worked actively on the sensitive concepts such as ‘sympathy’ and ‘aura’ while studying Baudelaire and Proust's works, photography and technology reproduction. For him, the impossibility of communism in the era of the disappearance of the aura and the loss of the sensitive relationship was to establish a ‘depressing’ capitalist production relation. Nonetheless, he affirmed the availability of technology and tried to find meaning in the trivial and worthless things of the fragmented world. All of this was to find the exit of the tragic reality in the images of history.
Abstract
This paper started by inspecting the Korean translation and literary application examples of the word having the meaning of Spinoza's affectus / affect concept and seeing the experience and history of Walter Benjamin's city from the viewpoint of “responsive” Try. Walter Benjamin tried to understand the cities, things and culture of the 20th century in a manner that “responds” to some European cities. He applied such a method to historical research and extended it to a method of analyzing capitalist culture and history for the 20th century Arcade in Paris. Benjamin worked actively on the sensitive concepts such as ‘sympathy’ and ‘aura’ while studying Baudelaire and Proust's works, photography and technology reproduction. For him, the impossibility of communism in the era of the disappearance of the aura and the loss of the sensitive relationship was to establish a ‘depressing’ capitalist production relation. Nonetheless, he affirmed the availability of technology and tried to find meaning in the trivial and worthless things of the fragmented world. All of this was to find the exit of the tragic reality in the images of history.
참고문헌 (21)
- 권용선, "발터 벤야민의 공부법" (2014), 역사비평사
- 김대중, "사물과 정동 연구 : 『딕테』와 촛불집회를 중심으로", 영어권문화연구, 11(1), pp.5~28 (2018), 영어권문화연구소[DOI]
- 멜리사 그레그, "정동이론" (2016), 갈무리
- 바루흐 스피노자, "에티카" (2010), 서광사
- 박현선, "정동의 이론적 갈래들과 미적 기능에 대하여", 문화과학, 86, pp.59~81 (2016)
- 사유이미지, "일방통행로", pp.2007, 발터 벤야민
- 베를린연대기, "1900년경 베를린의 유년시절", pp.2007, 발터 벤야민
- 발터 벤야민, "발터 벤야민의 문예이론" (2000), 민음사
- 발터 벤야민, "발터 벤야민의 모스크바 일기" (2009), 그린비
- 발터 벤야민, "아케이드프로젝트 1" (2008), 새물결
- 브라이언 마수미, "정동정치" (2018), 갈무리
- 아르노 빌라니, "들뢰즈 개념어 사전" (2012), 갈무리
- 안미영, "현대문학 연구에서 정동 이론의 성과와 활용", 어문연구, 95, pp.219~240 (2018), 어문연구학회[DOI]
- 이진경, "들뢰즈의 예술론: 초험적 경험과 감응의 응결", 계간 파란, 3, pp.103~141 (2016)
- 이진경, "노마디즘" (2002), 휴머니스트
- 조정환, "인지자본주의" (2011), 갈무리
- 조한선, "에마 우드하우스의 사회화 : 분리에서 연합으로", 영어권문화연구, 10(1), pp.199~221 (2017), 영어권문화연구소[DOI]
- "정동인가, 정서인가? 스피노자 철학에 대한 초보적 논의" (2016), 진태원[URL]
- 질 들뢰즈, "스피노자의 철학" (2001), 민음사
- 질 들뢰즈, "철학이란 무엇인가" (1995), 현대미학사
- Walter Benjamin, "Reflection" (2007), Schocken Books