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William Blake and the Figure of the Artist

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In the later years of his career, William Blake felt alienated from the public sphere of art society dominated by art dealers, patronage, connoisseur, publishers, and so on. The experiences of discord with commercialistic practices of art allowed him to recognize the contrast between the real life in imaginative arts and his ordinary existence. Blake’s ideological and emotional struggles to realize the ideal of art under the disadvantaged environment are reflected in Los, a Blakean figure of artist in Jerusalem. To be precise, Los tries to prevail on his own spectre to labour at the artistic creation. This agonizing spiritual struggle mirrors Blake’s predicament as an artist in the modern world. To transform Albion’s “spectral” system into Jerusalem, which is the intellectual community of art and sciences, Los builds up “Golgonooza” that helps to restore the integrity of senses and to unfold ‘minute particulars’ of life. However, the city of art is surrounded with the walls of oppression and exploitation that have conspired to obstruct liberty to exercise imagination and creativity. Thus, the artistic creation should be accompanied with the creation of relationship, in which an individual’s mental gift is fully appreciated and “intellectual war” encourages brotherhood and love among human beings.

Abstract

In the later years of his career, William Blake felt alienated from the public sphere of art society dominated by art dealers, patronage, connoisseur, publishers, and so on. The experiences of discord with commercialistic practices of art allowed him to recognize the contrast between the real life in imaginative arts and his ordinary existence. Blake’s ideological and emotional struggles to realize the ideal of art under the disadvantaged environment are reflected in Los, a Blakean figure of artist in Jerusalem. To be precise, Los tries to prevail on his own spectre to labour at the artistic creation. This agonizing spiritual struggle mirrors Blake’s predicament as an artist in the modern world. To transform Albion’s “spectral” system into Jerusalem, which is the intellectual community of art and sciences, Los builds up “Golgonooza” that helps to restore the integrity of senses and to unfold ‘minute particulars’ of life. However, the city of art is surrounded with the walls of oppression and exploitation that have conspired to obstruct liberty to exercise imagination and creativity. Thus, the artistic creation should be accompanied with the creation of relationship, in which an individual’s mental gift is fully appreciated and “intellectual war” encourages brotherhood and love among human beings.

참고문헌 (20)

  1. Bentley, G. E. Jr, "William Blake: The Critical Heritage" (1975), Routledge & Kegan Paul
  2. Blake, William, "The Complete Poetry and Prose of William Blake" (1988), Doubleday
  3. Cooper, Andrew M, "Blake and Madness: The World Turned Inside Out", ELH, 57(3), pp.585~642 (1990)
  4. Trodd, Colin, "Blake, Modernity and Popular Culture" (2007), Palgrave Macmillan
  5. Crehan, Stewart, "Blake in Context" (1984), Gill and Macmillan
  6. Erdman, David V., "Blake: Prophet Against Empire" (1977), Princeton UP
  7. Ferber, Michael, "The Social Vision of William Blake" (1985), Princeton UP
  8. Frosch, Thomas R, "The Awakening of Albion: The Renovation of the Body in the Poetry of William Blake" (1974), Cornell UP
  9. Frye, Northrop, "Fearful Symmetry: A Study of William Blake" (1969), Princeton UP
  10. Leavis, F. R., "Nor Shall My Sword: Discourse On Pluralism, Compassion and Social Hope" (1972), Chatto and Windus
  11. Mee, Jon, "Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s" (1992), Clarendon
  12. Mitchell, W. J. T., "Blake's Composite Art: A Study of the Illuminated Poetry" (1978), Princeton UP
  13. Otto, Peter, "Constructive Vision and Visionary Deconstruction: Los, Eternity and the Productions of Time in the Later Poetry of William Blake" (1991), Oxford UP
  14. Paley, M. D., "Energy and Imagination: A Study of the Development of Blake's Thought" (1970), Clarendon
  15. Thompson, E. P., "Witness Against the Beast: William Blake and the Moral Law" (1993), Cambridge UP
  16. Wallerstein, Immanuel, "After Liberalism" (1995), The New Press
  17. Williams, Raymond, "Culture and Society" (1971), Penguin
  18. Williams, Raymond, "Keywords: A Vocabulary of Culture and Society" (1976), Oxford UP
  19. Witke, Joanne, "William Blake's Epic: Imagination Unbound" (1986), Croom Helm
  20. Youngquist, Paul, "Madness and Blake's Myth" (1989), Pennsylvania UP

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