尾崎紅葉と言文一致 -『金色夜叉』を中心として-
Ozaki Koyo and Unification of the Written and Spoken Language Style
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Ozaki Koyo have made plans to carry out various new attempts in order to make a new language style. At first he put to use a specific compromise style between elegance and common, that means a blending with elegance in literary composition and common in composition written in the colloquial. After that he attempted to write spoken and written nobel from 「Ninninnyobo」 to the year of Meiji 28. All of his works in that time was not the unification style with written and spoken language but left a few compromise style between elegance and common in the beginning. Aiming at this point, according to investigate his remaining speech and later years works named 「Konzikiyasya」, it was found to be as follows; 1. Items conformed on the remaining speech: He recognized the possibilities of written language style in order to higher the world of art. 2. Items conformed on 「Konzikiyasya」: Because of using written language style on physical features and spoken language style on colloquial literature, it was not pure written and spoken language style.
Abstract
Ozaki Koyo have made plans to carry out various new attempts in order to make a new language style. At first he put to use a specific compromise style between elegance and common, that means a blending with elegance in literary composition and common in composition written in the colloquial. After that he attempted to write spoken and written nobel from 「Ninninnyobo」 to the year of Meiji 28. All of his works in that time was not the unification style with written and spoken language but left a few compromise style between elegance and common in the beginning. Aiming at this point, according to investigate his remaining speech and later years works named 「Konzikiyasya」, it was found to be as follows; 1. Items conformed on the remaining speech: He recognized the possibilities of written language style in order to higher the world of art. 2. Items conformed on 「Konzikiyasya」: Because of using written language style on physical features and spoken language style on colloquial literature, it was not pure written and spoken language style.
참고문헌 (6)
- 尾崎知光, "二人女房の文体と紅葉の言文一致", 国文学, 32, pp.73~ (1973)
- 佐藤喜代治, "国語学研究事典" (1990), 明治書院
- 関良一, "明治の文体 尾崎紅葉", 国文学解釈と鑑賞, 34, pp.63~ (1969)
- 森岡健二, "講座国語史6 文体史言語生活史", pp.427~430 (1977), 大修館書店
- "テキスト", ~
- "明治文学全集18 尾崎紅葉集", 筑摩書房
