일본문학에 나타난 <여성의 얼굴> 고찰 -헤이안시대를 중심으로-

Abstract

Traditionally, papers on the woman's face and cosmetic treatment of the ancient Japanese tend to focus only on the influence of ancient China, primarily has been studied is strong, in discussion this exchange more lively close and geographically, culturally I tried to focus on the influence of the ancient Three Kingdoms City was advancing. For cultural makeup of Japanese women, Takagi has been characterized as a "culture" hidden unique to Japan, this is a kind of system dominance that have been sexism was born a long father house ancient, from thinking male-dominated I would have considered. Historically, the archetype of beauty is predicated by the language of man, man has been projected on the face of the woman his desire. Such as "diary Murasaki Shikibu", described as a critique on the face of women by women's handwriting is targeted at all women. In accordance with the social climate to produce a pretty elegant aesthetics at that time, to typify the image of a woman, Murasaki Shikibu is're standardize. In particular, black hair long and Gender of feminine legacy - is said to reveal that it was established as one of the components, important thing that can not be overlooked is another woman's body that are hidden in the fan and bamboo blind it is because that the only part that looks like a man in. In other words, the hair you have glimpses from the bottom of the bamboo blind is also the road to the outside world, it is also the point of contact with the world of men.