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전전의 아시아 국책영화에 대한 재조명 - 만주영화를 중심으로 -

A Reinterpretation of the Japan's National Policy Films in pre-war Days -Focused on Manchurian films -

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참고문헌

키워드

주제분류일본어와문학

초록

The goal of this writing is how to use making propaganda for the movie industry in the second World War which is based in pre-war days' Japanese movie and Asian movies in line with the Japanese national policy. Japanese and Asian movie participators had cooperated Japanese policy because of Japanese governmental and military pressure whether active or inactive. Other countries where had affected in the Greater East Asia Co-Prosperity Sphere also had done self modification after the war, still, they could not free from idealogical control and movie censorship system in their domestic policy. It is very meaningful approach by Asian military history in Asian movies in today's point of view. That is because film interrelated people's duty that reflection of the film under the movie participators taboo by themselves.

Abstract

The goal of this writing is how to use making propaganda for the movie industry in the second World War which is based in pre-war days' Japanese movie and Asian movies in line with the Japanese national policy. Japanese and Asian movie participators had cooperated Japanese policy because of Japanese governmental and military pressure whether active or inactive. Other countries where had affected in the Greater East Asia Co-Prosperity Sphere also had done self modification after the war, still, they could not free from idealogical control and movie censorship system in their domestic policy. It is very meaningful approach by Asian military history in Asian movies in today's point of view. That is because film interrelated people's duty that reflection of the film under the movie participators taboo by themselves.

참고문헌 (14)

  1. 고바야시 히데오, "만철滿鐵-일본제국의 싱크탱크", pp.15~34 (2004), 산처럼
  2. 구견서, "일본영화 시대성", pp.62~99 (2007), 제이앤씨
  3. 김려실, "일본영화와 내셔널리즘", pp.71~ (2005), 책세상
  4. 김종원, "우리영화 100년", pp.211~212 (2001), 현암사
  5. 小関和弘, "満徹記録映画と「満州」異支配の視線 前揭書 映画と「大東亞共榮 圈」", pp.35~ (2004)
  6. 櫻本富雄, "15年戦争下の朝鮮映画─透明体の中の朝鮮", 季刊三千里, (34), pp.185~ (1983), 三千里社
  7. 佐藤忠男, "満映の真実, In 満州帝国", pp.127~ (2006), 学習研究社
  8. 張新民, "抗日救國運動下の上海映画会-満州事変から第二次上海事変へ, In 映畵と「大東亞共榮圈」", pp.68~ (2004), 森和社
  9. 田中純一郎, "曠野のアダ花満州映画, In 一億人の昭和史-日本植民地史2満州", pp.291~ (1978), 毎日新聞社
  10. 古川隆久, "戰時下の日本映畵-人々は国策映画を見たか", pp.32~177 (2003), 吉川弘文館
  11. 洪雅文, "戦時下の台湾映画と「サヨンの鐘 前揭書 映畵と「大東亞共榮圈」", pp.184~193 (2004)
  12. 山口淑子, "李香蘭 私の半生", pp.108~ (1987), 新潮社
  13. 大場さやか, , CineMagaziNet!, (5) (2001)

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