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히구치 이치요 『우라무라사키(裏紫)』 론 - 사랑의 광기에 달리는 히토즈마(人妻) -

A Study on Higuchi Ichiyo URAMURASAKI - “Hitozuma” Running into the Madness of Love -

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URAMURASAKI, published in May 1896, is the only unfinished work among Ichiyo’s novels. In this paper, I analyze what kind of personality he has in the “Hitozuma” family, what he pursues through Oritsu, the protagonist of Ichiyo, and how he tried it in his work. As a result, in the limited time of the previous work “NOKIMORUTSUKI”, in terms of expressing the sentiment shaken by the courtship of a man before a marriage, it is similar, but through a bold choice that challenges a fixed moral rather than a moral choice, a loving, not a husband. I could see that it was completely different in terms of facing men. In other words, among Ichiyo’s works, it can be said that it is an unconventional work that expresses a subjective and strong woman, not a woman who suffers within the world or family. It can be said that it is the conscious expression of the artist Ichiyo that he tried to have a subjective life as a human being, not social institutions and moral notions. In addition, Oritsu’s psychological conflict, drawn in a limited time, and the bold conclusion of making a decision to reach the madness of love are noteworthy in that they impressed the reader.

Abstract

URAMURASAKI, published in May 1896, is the only unfinished work among Ichiyo’s novels. In this paper, I analyze what kind of personality he has in the “Hitozuma” family, what he pursues through Oritsu, the protagonist of Ichiyo, and how he tried it in his work. As a result, in the limited time of the previous work “NOKIMORUTSUKI”, in terms of expressing the sentiment shaken by the courtship of a man before a marriage, it is similar, but through a bold choice that challenges a fixed moral rather than a moral choice, a loving, not a husband. I could see that it was completely different in terms of facing men. In other words, among Ichiyo’s works, it can be said that it is an unconventional work that expresses a subjective and strong woman, not a woman who suffers within the world or family. It can be said that it is the conscious expression of the artist Ichiyo that he tried to have a subjective life as a human being, not social institutions and moral notions. In addition, Oritsu’s psychological conflict, drawn in a limited time, and the bold conclusion of making a decision to reach the madness of love are noteworthy in that they impressed the reader.

참고문헌 (10)

  1. 이정은, "樋口一葉『雪の日』論 - 「人妻」物語の序幕 -", 인문연구, (68), pp.27~58 (2013), 인문과학연구소
  2. 河村清一郎, "一葉における抒情の構造―「うらむらさき」をめぐって", 明治大学教 養論集, (34), pp.82~ (1966), 明治大学
  3. 沢津久司, "本における女性の法的権利,地位の変遷に関する研究(Ⅰ)", 中国短期 大学紀要, (26), pp.167~ (1996), 中国短期大学
  4. 塩田良平, "樋口一葉研究", pp.725~ (1956), 中央公論社
  5. 塩田良平, "『樋口一葉全集』第二巻", pp.168~ (1994), 筑摩書房
  6. 塩田良平, "『樋口一葉全集』第四巻上", pp.171~ (1994), 筑摩書房
  7. 藤井公明, "樋口一葉研究", pp.111~ (1981), 桜楓社
  8. 前田愛, "全集樋口一葉②(小説編)", pp.205~207 (1996), 小学館
  9. 村松定孝, "評伝 樋口一葉", pp.201~ (1967), 実業之日本社
  10. 湯地孝, "樋口一葉論", pp.315~ (1983), 日本図書センター

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