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아방가르드 예술과 사진: 앨빈 랭던 코번의 사진 연구

Avant-garde art and photography: Study on the Alvin Langdon Coburn's Photography

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This paper would like to reveal the originality and the avant-garde's spirit in Alvin Langdon Coburn'photographs. This research aims to also present Coburn not only as one of avant-garde artists, but also as the most radical, modern artist among avant-garde artists, in other words as avant-garde's avant-garde artist. By doing so, this paper intends to re-evaluate Coburn who was not regarded for a long time as an important modern photographer, nor as avant-garde artist in art history and photo history. This research comes to three conclusion. Firstly, Coburn was already modernist since the commencement of photographer who belonged not to pictorial photographer, but to straight photographer. Secondly, in 1912 Coburn became a radical modern photographer by experimenting new viewpoints of camera, that is to say low angle and high angle. Thirdly, influenced by avant-garde art, specially by vorticism at the beginning of the 20th century,Coburn invent vortography which is the first abstract photography in the history of photography, which influenced later 1920-30 avant-garde artists including Moholy-nagy, Rodchenko, etc..

Abstract

This paper would like to reveal the originality and the avant-garde's spirit in Alvin Langdon Coburn'photographs. This research aims to also present Coburn not only as one of avant-garde artists, but also as the most radical, modern artist among avant-garde artists, in other words as avant-garde's avant-garde artist. By doing so, this paper intends to re-evaluate Coburn who was not regarded for a long time as an important modern photographer, nor as avant-garde artist in art history and photo history. This research comes to three conclusion. Firstly, Coburn was already modernist since the commencement of photographer who belonged not to pictorial photographer, but to straight photographer. Secondly, in 1912 Coburn became a radical modern photographer by experimenting new viewpoints of camera, that is to say low angle and high angle. Thirdly, influenced by avant-garde art, specially by vorticism at the beginning of the 20th century,Coburn invent vortography which is the first abstract photography in the history of photography, which influenced later 1920-30 avant-garde artists including Moholy-nagy, Rodchenko, etc..

참고문헌 (16)

  1. Boulouch, Nathalie, "La Création expérimentale : 1917-1980 : la recherche de nouveaux langages visuels, In L'Art de la photographie: des origines à nos jours", pp.459~505 (2007), Citadelles et Mazenod
  2. "The Photographs of Alvin Langdon Coburn at George Eastman House: A Characterization Study of Materials and Techniques" (2009)[URL]
  3. Bunnell, Peter, "Pour une photographie moderne : renouvellements du pictorialism, In Nouvelle histoire de la photographie" (1994), Bordas S. A
  4. Coburn, Alvin Langdon, "Alvin Langdon Coburn, Artist-Photographer", The Pall Mall Magazine, 51(242), pp.757~763 (1913)
  5. Coburn, Alvin Langdon, "New York from its Pinnacles (exhibition catalogue)", ~ (1913)
  6. Coburn, Alvin Langdon, "The Future of Pictorial Photography", Photograms of the Year . 1916, 23~24 (1917)
  7. Coburn, Alvin Langdon, "More Men of Mark" (1922), Duckworth & Co
  8. Coburn, Alvin Langdon, "Alvin Langdon Coburn Photographer: An Autobiography with Over 70 Reproductions of His Works" (1966), Dover Publications
  9. Frizot, Michel, "Une autre photographie: les nouveaux point de vue, In Nouvelle histoire de la photographie" (1994), Bordas S. A
  10. Frizot, Michel, "Alvin Langdon Coburn, In Dictionnaire mondial de la photograph" (2001), Larousse
  11. Frizot, Michel, "Alvin Langdon Coburn, N° 94 . Actes Sud, Photo Poche, Centre National de la Photographie" (2004), Delpire
  12. Hammond, Anne, "Vision naturelle et image symboliste: la référence picturale, In Nouvelle histoire de la photographie" (1994), Bordas S. A
  13. Newhall, Nancy, "Alvin Langdon Coburn - The Youngest Star, In Alvin Langdon Coburn: photographs 1900-1924, essay by Nancy Newhall" (1998), Stemmle, cop
  14. Pound, Ezra, "Pavannes and Divisions" (1918), Knopf
  15. Roberts, Pamela Glasson, "Alvin Langdon Coburn and the Vorticists", in International Symposium "The Vorticists" (2011)
  16. Steinorth, Karl, "Introduction, In Alvin Langdon Coburn: photographs 1900-1924, essay by Nancy Newhall" (1998), Stemmle, cop

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