<무궁동(無窮動)>으로 본 젠더와 공간

Abstract

Feminist geography, which analyzes the relationship between space and society from the perspective of gender, has concerned itself with the degrees to which males and females experience time and space differently and has examined how these differences become a part of the social composition of place and gender. There are sufficient reasons to view the film Perpetual Motion from this perspective, since it closely connects the female subject with space. This study, which starts by examining the narrative characteristics of Perpetual Motion that challenge male-centered narrative structure and dialogue technique, will examine the criticism produced by a new historical subject and directed toward traditional historical arguments, the relationship between space and gender, heterotopia as an alternate space for resisting the Siheyuan as a space of power, and the position and meaning of the film in Chinese cultural history.