庾信에 대한 杜甫의 수용 小考 －“感發”의 시각을 중심으로－
The Study on Du Fu’s Acceptant of Yu Xin:At the Gambal centric Angle
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In this study, an intrinsic category of Gambal was presented in a way that the common aspects inhering in both writer’s Gambal process and reader’s Gambal process were drawn, and the meaning of each process was understood and the relation of both was defined. In addition, Gambal-centric approach was taken toward two poetic figures, Du Fu and Yu Xin who were considered by the later criticism to have an intimate relationship of sharing the poetic and personal sympathy. The shared aesthetic experience between Du Fu and Yu Xin was that Du Fu discovered the potentiality that Yu Xin had put in his works, had an experience of Gambal as a reader, and based on which, he had an experience of Gambal in turn as a writer, resulting in its embodiment in his own works. It is understood that “Xiangguan zhi si,” “Confucian influence,” and “Gambal-created image” that were shared by the two served as underlying bosom that enables Du Fu to discover the potentiality that Yu Xin had put in his works, to have an experience of Gambal as a reader and as a writer.
Abstract
In this study, an intrinsic category of Gambal was presented in a way that the common aspects inhering in both writer’s Gambal process and reader’s Gambal process were drawn, and the meaning of each process was understood and the relation of both was defined. In addition, Gambal-centric approach was taken toward two poetic figures, Du Fu and Yu Xin who were considered by the later criticism to have an intimate relationship of sharing the poetic and personal sympathy. The shared aesthetic experience between Du Fu and Yu Xin was that Du Fu discovered the potentiality that Yu Xin had put in his works, had an experience of Gambal as a reader, and based on which, he had an experience of Gambal in turn as a writer, resulting in its embodiment in his own works. It is understood that “Xiangguan zhi si,” “Confucian influence,” and “Gambal-created image” that were shared by the two served as underlying bosom that enables Du Fu to discover the potentiality that Yu Xin had put in his works, to have an experience of Gambal as a reader and as a writer.
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