≪敦煌曲校錄≫內 定格聯章 抄錄 寫本 고찰
Study in Dunhuang manuscripts found by Paul Pelliot with ‘Fixed Form and Association Chapter of Songs’
1
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
‘Fixed Form and Association Chapter of Songs’ refers to a ensemble song and poem combination with consistent tunes, consistent content, and a fixed format for sentence patterns and paragraphs and first defined by Mr.Ren Erbei in 1954, and he presented <Shi’ershi> and <Wugengzhuan> to Representative Poems in his book ≪Dunhuangqu Jiaolu≫, and they are recorded in Dunhuang Papers discovered by Paul Pelliot. He knew Chinese and understood Buddhism, so ‘Fixed Form and Association Chapter of Songs’ appreared with Buddhist scriptures in Pelliot’s Dunhuang paper. Also there are other manuscripts which informs the situations of the time. So by researching at the other parts as well as known poems, it is possible to guess the social situation of the time. Dunhuang manuscripts research in ‘Fixed Form and Association Chapter of Songs’ provides a detailed picture of how entertainment styles were presented at the time by scrutinizing and revealing other parts of the collection, other than lyrics or Buddhist scriptures already collected or studied.
Abstract
‘Fixed Form and Association Chapter of Songs’ refers to a ensemble song and poem combination with consistent tunes, consistent content, and a fixed format for sentence patterns and paragraphs and first defined by Mr.Ren Erbei in 1954, and he presented <Shi’ershi> and <Wugengzhuan> to Representative Poems in his book ≪Dunhuangqu Jiaolu≫, and they are recorded in Dunhuang Papers discovered by Paul Pelliot. He knew Chinese and understood Buddhism, so ‘Fixed Form and Association Chapter of Songs’ appreared with Buddhist scriptures in Pelliot’s Dunhuang paper. Also there are other manuscripts which informs the situations of the time. So by researching at the other parts as well as known poems, it is possible to guess the social situation of the time. Dunhuang manuscripts research in ‘Fixed Form and Association Chapter of Songs’ provides a detailed picture of how entertainment styles were presented at the time by scrutinizing and revealing other parts of the collection, other than lyrics or Buddhist scriptures already collected or studied.
참고문헌 (36)
- 고려대민족문화연구원, "돈황학대사전" (2016), 소명출판
- 김금남, "敦煌 定格聯章體歌辭 <十二月>의 서사구조 및 연행형식 고찰", 중국문학연구, (64), pp.1~31 (2016), 한국중문학회
- 김학주, "中國文學史" (1989), 신아사
- 김학주, "中國文學槪論" (1995), 신아사
- 김현주, "敦煌曲子詞選集" (2004), 현학사
- 이태형, "敦煌曲子詞集" (2011), 학고방
- 이은주, "돈황가사의 서사구조 연구", 석사, 중어중문학, pp.2010
- 전홍철, "돈황변문교주 1" (2015), 소명출판
- 전홍철, "돈황강창문학의 이해" (2011), 소명출판
- 曺明和, "敦煌講唱文學의 硏究", 박사, 중어중문학, pp.1989
- 차주환, "敦煌詞文學論考" (2004), 서울대학교출판부
- 최진아, "북리지 교방기" (2013), 소명출판
- 陳凱源, "敦煌佛頂尊勝陀羅尼經變研究綜述", 隴東學院學報, 30 (2019)
- 池 田, "敦煌文書的世界" (2007), 中華書局
- 伏俊璉, "敦煌歌辭‘五更轉’研究綜述", 樂山師範學院學報, 31 (2016)
- 季羨林, "敦煌學大辭典" (1998), 上海辭書出版社
- 林聰明, "敦煌俗文化研究" (1984), 私立東吳大學
- 劉 芳, "宋元詞曲延邊硏究", 博士, pp.2013
- 劉尊明, "敦煌曲子詞整理研究的百年歷程", 文獻, (壹) (1999)
- 毛秋瑾, "敦煌吐魯番寫本中的寫經生與學仕郎", 中國書法, (208) (2010)
- 錢 華, "中國文學初步" (2003), 廣東人民出版社
- 饒 瑩, "試論定格聯章體‘五更調’與‘十二月’民歌-以‘清車王府藏曲本’時調小曲為例", 北方音樂, (20) (2015)
- 任二北, "敦煌曲初探" (1954), 上海文藝聯合出版社
- 任二北, "敦煌曲校録" (1955), 上海文藝聯合出版社
- 任二北, "敦煌歌辭總編" (1987), 上海古籍出版社
- 譚 茹, "敦煌俗賦寫本同卷內容研究", 碩士, pp.2019
- 王重民, "敦煌曲子詞集" (1950), 商務印書館
- 徐會貞, "敦煌歌辭‘五更轉’寫本研究", 碩士, pp.2016
- 佘芳艷, "唐五代聯章詞研究", 碩士, pp.2012
- 詹安泰, "簡論‘敦煌曲’中的‘普通雜曲’", 學術研究, (2) (1963)
- 張長彬, "敦煌曲子辭寫本整理與研究", 博士, pp.2014
- 鄭阿財, "唐代佛敎文學與俗曲-以敦煌寫本‘五更轉’, ‘十二時’爲中心", 普門學報, (20) (2004)
- 鄭 驥, "敦惶歌辭‘十二時’寫本研究", 碩士, pp.2015
- 鄭 驥, "寫本學視閾下的敦煌文學生產與傳播-以佛教歌辭‘十二時 普勸四眾依教修行’為例", 雲南師範大學學報, 49 (2017)
- 鄭振鐸, "中國俗文學史(上)" (1938), 臺灣商務印書館
- Françoise Wang-Toutain, "Paul Pelliot: de l’histoire à la légence" (2013), AIBL