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임서의 번역과 중국적 수용-≪巴黎茶花女遺事≫를 중심으로-

Lin Shu’s Translation and Sinicized Adaptation: a Case Study on Bali Chahuanü Yishi

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Lin Shu is the most important forerunners in China's history of modern literary translation and his translation imported new ideas, literary styles from the West. Bali Chahuanü Yishi(The Lady of the Camellias) was the his first work and the first Chinese translation of a work of Western literature. After introducing Bali Chahuanü into China, it caused a great sensation. Then the image of Chahuanü, the Chinese another name of Marguerite, was constantly being recreated in drama and fiction during the late-Qing and early-Republican period. This article is an attempt to examine translation strategy of Bali Chahuanü Yishi cotranslated by Lin Shu and Wang Shouchang and published in 1899. Falling in sorrow of losing mother and wife, Lin Shu persuaded by the oral translator Wang Shouchang initiated translation. Therefore, Lin Shu transfer his sorrow into translation work and rewriting the source text La Dame aux Camélias by A. duma fils. This article examins the difference between the source text and the target text Bali Chahuanü Yishi. In the process of translating, in order to stresses a devotional act of Chahuanü to her lover Armand, Lin Shu resorted to such techniques as omission, abridging, addition, etc. As a result, Marguerite was transfigured a faithful subject to lover and a chaste Chinese woman.

Abstract

Lin Shu is the most important forerunners in China's history of modern literary translation and his translation imported new ideas, literary styles from the West. Bali Chahuanü Yishi(The Lady of the Camellias) was the his first work and the first Chinese translation of a work of Western literature. After introducing Bali Chahuanü into China, it caused a great sensation. Then the image of Chahuanü, the Chinese another name of Marguerite, was constantly being recreated in drama and fiction during the late-Qing and early-Republican period. This article is an attempt to examine translation strategy of Bali Chahuanü Yishi cotranslated by Lin Shu and Wang Shouchang and published in 1899. Falling in sorrow of losing mother and wife, Lin Shu persuaded by the oral translator Wang Shouchang initiated translation. Therefore, Lin Shu transfer his sorrow into translation work and rewriting the source text La Dame aux Camélias by A. duma fils. This article examins the difference between the source text and the target text Bali Chahuanü Yishi. In the process of translating, in order to stresses a devotional act of Chahuanü to her lover Armand, Lin Shu resorted to such techniques as omission, abridging, addition, etc. As a result, Marguerite was transfigured a faithful subject to lover and a chaste Chinese woman.

참고문헌 (19)

  1. Alexandre Dumas fils, "La Dame aux Camélias" (1852), Michel Lévy frères
  2. Xiaozhongma, "The Lady of the Camellias" (1981), Commercial Press
  3. Xue Shuzhi, "Materials on the Study of Lin Shu" (1982), Fujian People’s Press
  4. Zhang Juncai, "A Critical Biography of Lin Shu" (2007), Zhonghua shuju
  5. Qian Zhongshu, "Translations of Lin Shu" (1981), Commercial Press
  6. Shanghai Library, "Letters of Wang Kangnian" (1986), Shanghai guji Press
  7. Wang shi, "Collected Works of Yan Fu" (1986), Zhonghua shuju
  8. Leo Oufan Lee, "The Romantic Generation of Modern Chinese Writers" (2005), Xinxing Press
  9. Chen Pingyuan, "Collection of Chen Pingyuan on the History of Fiction" (1997), Hebei People’s Press
  10. Chen Pingyuan, "Changes in the Narrative Modes of Chinese Fiction" (2003), Zhongwen Univ. Press
  11. A Ying, "A Compendium of Late Qing Dynasty's Literature", ~
  12. Yuan Jin, "A Study of the impact of modern translated novels on the emergence of the romance novels", Quarterly Journal of the Shanghai Academy of Social Sciences, 3, pp.175~183 (1996)
  13. Xu Haiyan, "A Study of the impact of The Lady of the Camellias on the novels during the late-Qing and early-Republican period", The Research on Ming and Qing Dynasties Novels, 4, pp.107~115 (2001)
  14. A. Dumas fils, "The Lady of the Camellias" (1994), Hong Shin Publishing Co.
  15. Rey Chow, "Women and Chinese Modernity: The politics of reading between West and East" (1997), Univ. of Minnesota Press
  16. Hu Ying, "Tales of Translation: Composing the New Woman in China, 1899∼1918" (2000), Stanford Univ. Press
  17. Gail Hershatter, "Dangerous Pleasures: Prostitution and Modernity in Twentieth-Century Shanghai" (1997), Univ. of California Press

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