‘로마성(romanità)’ 숭배와 파시즘의 초국가적(supranational) 근대성
The Cult of Romanità and Fascist Modernity
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
In spite of the prominent role the concept of Romanità played in Italian Fascist's appropriation of the ancient Roman past and it's construction of supranational vision of modernity, both in discourses and in practices, historians of Fascism have not payed due attention to this important issue. Through the analysis of two events, that is, the massive restructuring of Roman cityscape and the Augustan Exhibition of Romanness(Mostra Augustea della Romanità), I try to show that the Fascist obsession of the Roman Imperial past during the ventennio was not nostalgic propaganda of anti-modernism but a ambitious project of constructing alternative vision of Fascist modernity and making it visible to Italian people. In this sense Fascist modernity based on Romanità which was both supranational and imperialistic, can be seen as a Fascist mode of mission civilisatrice.
Abstract
In spite of the prominent role the concept of Romanità played in Italian Fascist's appropriation of the ancient Roman past and it's construction of supranational vision of modernity, both in discourses and in practices, historians of Fascism have not payed due attention to this important issue. Through the analysis of two events, that is, the massive restructuring of Roman cityscape and the Augustan Exhibition of Romanness(Mostra Augustea della Romanità), I try to show that the Fascist obsession of the Roman Imperial past during the ventennio was not nostalgic propaganda of anti-modernism but a ambitious project of constructing alternative vision of Fascist modernity and making it visible to Italian people. In this sense Fascist modernity based on Romanità which was both supranational and imperialistic, can be seen as a Fascist mode of mission civilisatrice.
참고문헌 (51)
- Jan Nelis, "Constructing Fascist Identity: Benito Mussolini and the Myth of Romanità", Classical World, 100, pp.391~415 (2007)
- Edoardo Susmel, "Opera Omnia di Benito Mussolini", Fenice, 18, pp.160~161 (1951)
- Romke Visser, "Fascist Doctrine and the Cult of the Romanità", Journal of Contemporary History, 27, pp.5~22 (1992)
- Antonio La Penna, "Il culto della romanità nel periodo fascista: La rivista ‘roma’ e l'Instituto di studi romani", Italia contemporanea, 217, pp.605~630 (1999)
- Luisa Quartermaine, "‘Slouching towards Rome’: Mussolini's Imperial Vision; Urban Society in Roman Italy", pp.203~215 (1995), St. Martin's Press
- Simonetta Falasca-Zamponi, "Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy", pp.95~99 (1997), University of California Press
- Paul Baxa, "Piacentini's Window: The Modernism of the Fascist Master Plan of Rome", Contemporary European History, 13, pp.1~20 (2004)
- Borden W. Painter, "Mussolini's Rome: Rebuilding the Eternal City" (2005), Palgrave
- Emilio Gentile, "Fascismo di pietra" (2007), Laterza
- Peter Bondanella, "The Eternal City. Roman Images in the Modern World" (1987), The University of North Carolina Press
- Catharine Edwards, "Roman Presences: Receptions of Rome in European Culture, 1789-1945" (1999), Cambridge University Press
- Andrea Giardina, "Il mito di Roma da Carlo Magno a Mussolini" (2000), Laterza
- Claudia Lazzaro, "Forging a Visible Fascist Nation. Strategies for Fusing Past and Present; Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy", pp.14~ (2005), Cornell University Press
- Marla Stone, "A Flexible Rome: Fascism and the Cult of Romanità In: Catharine Edwards, Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy", pp.188~204 (2005), Cornell University Press
- Ruth Behn-Ghiat, "Fascist Modernities: Italy, 1922-1945" (2000), University of California Press
- Emilio Gentile, "The Struggle for Modernity: Nationalism, Futurism, and Fascism" (2003), Preager
- Mark Antliff, "Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909-1939" (2007), Duke University Press
- Roger Griffin, "Modernism and Fascism: The Sense of a Beginning under Mussolini and Hitler" (2007), Palgrave
- Roger Griffin, "Modernity, Modernism, and Fascism. A ‘Mazeway Resynthesis", Modernism, 2008, pp.15, 9~24
- Mass Dictatorship and Modernity, "Proceedings of the 5th International Conference of Mass Dictatorship" (2007), Hanyang University
- Claudia Fogu, "The Historic Imaginary: Politics of History in Fascist Italy" (2003), University of Toronto Press
- Joshua W. Arthurs, "‘A Revolution in the Idea of Rome’: Excavating Modernity in Fascist Italy", 박사, pp.2007
- David Horn, "Social Bodies: Science, Reproduction and Italian Modernity", pp.95~122 (1994), Princeton Univeersity Press
- Carl Schorske, "Fin-de-siècle Vienna: Politics and Culture", pp.30~ (1980), Alfred A. Knopf
- Elini Bastéa, "Athens: Etching Images and the Street. Planning and National Aspirations In: Streets: Critical Perspectives on Public Space", pp.111~124 (1994), University of California
- Ruth Behn-Ghiat, "Fascist Modernities", pp.4~6
- Ruth Behn-Ghiat, "Modernity Is Just Over There. Colonialism and Italian National Identity", Interventions, 8, pp.382~ (2006)
- Benito Mussolini, "Opera Omnia", La Fenice, 22, pp.47~ (1951)
- Pio Molajoni, "Conservare-Restaurare-Creare", Atti del II Congresso di Studi Romani, 2, pp.572~ (1937)
- Joshua W. Arthurs, "A Revolution in the Idea of Rome"
- Claudia Fogu, "Actualism and the Fascist Historic Imaginary", History and Theory, 42, pp.196~221 (2003)
- Claudia Fogu, "The Historic Imaginary: Politics of History in Fascist Italy" (2003), University of Toronto Press
- Giuseppe Marchetti-Longhi, "La via dell'Impero nel suo sviluppo storico-topografico e nel suo significato ideale", Capitolium, 10, pp.54~56 (1934)
- Giuseppe Bottai, "L'Italia di Augusto e l'Italia di oggi", pp.20~ (1937), Instituto di Studi Romani
- Friedemann Scriba, "The Sacralization of the Roman Past in Mussolini's Italy: Erudition, Aesthetics, and Religion in the Exhibition of Augustus' Bimillenary in 1937-1938", Storia della Storiographia, 30, pp.27~ (1996)
- Joshua W. Arthurs, "(Re)Presenting Roman History in Italy, 1911-1955 In: Nationalism, Historiography and the (Re)Construction of the Past", pp.27~41 (2007), New Academia Press
- Diane Ghirardo, "Architects, Exhibitions, and the Politics of Culture in Fascist Italy", Journal of Architectural Education, 45, pp.67~75 (1992)
- Jeffrey T. Schnapp, "Epic Demonstration: Fascist Modernity and the 1932 Exhibition of the Fascist Revolution In: Fascism, Aesthetics, and Culture", pp.1~37 (1992), University Press of New England
- Marla Stone, "The Patron State: Culture and Politics in Fascist Italy" (1998), Princeton University Press
- Claudio Fogu, "The Historic Imaginary: Politics of History in Fascist Italy" (2003), University of Toronto Press
- Claudio Fogu,"To Make History Present,"Claudia Lazzaro, "To Make History Present", pp.33~49 (2003), University of Toronto Press
- Friedemann Scriba, "The Sacralization of the Roman Past in Mussolini's Italy: Erudition, Aesthetics, and Religion in the Exhibition of Augustus' Bimillenary in 1937-1938", Storia della Storiographia, 30, pp.27~ (1996)
- Matilde Burri Rossi, "Il Museo della Civiltàa Romana: itinerario ragionato per una visita al Museo", pp.8~ (1976), C. Colombo
- Joshua W. Arthurs, "(Re)Presenting Roman History", pp.27~
- Gisela M. A. Lichter, "The Exhibition of Augustian Art", The Metropolitan Museum of Art Bulletin, 33, pp.272~279 (1938)
- "Mostra Augustea della Romanità: catalogo, 2 ed", pp.151~ (1937), C. Colombo
- Emilio Gentile, "Le origini dell'ideologia fascista 1918-1925", pp.3~49 (1996), Il Mulino
- Emilio Gentile, "Fascism and the Italian Road to Totalitarianism", Constellation, 15, pp.299~300 (2008)
- Ruth Ben-Ghiat, "Modernity Is Just Over There. Colonialism and Italian National Identity", pp.380~393
- Luisa Quartermaine, "‘Slouching towards Rome’: Mussolini's Imperial Vision", pp.203~
- Charles Burdett, "Italian Fascism and Utopia", History of the Human Sciences, 16, pp.93~108 (2003)