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趙孟頫의 前期 繪畵樣式(1286-1299) 硏究 ― 靑綠樣式의 受容과 變容 ―

The Background for the Archaism in Zhao Meng-fu‘s Early Paintings(1286-1299)

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This paper is research on early paintings of Zhao Meng-fu(1254-1322) and its background. It seems that his thoery of archaistic revival of old styles was influenced by the revivalism in literature in Southern Song period. There was already a drive toward revivalism in literature. It was strongly developed by the Neo-Confucian scholars, like Zhu Xi(1130-1200) in Southern Song period. It seems that Zhao Meng-fu had also agreed with their view to some extent. We can naturally assume that his thoery of archaistic revival of old styles in examined from the viewpoint of spreading of revivalism in literature in Southern Song period. Considering his family background, the paintings in his early years can be interpreted as the adoption and the transformation of archaistic paintings with blue-and-green manner which showed the influences of paintings of Southern Song period. In the development of his early paintings, the blue-and-green manner of landscape was introduced with the Mind Landscape of Xie You-yu. It was transformed by absorbing the Li-Guo tradition in River Village. However, the turning point where he began to show his own style was in Auturm Colors on the Que and Hua Mountains. He was not bound by the old rule of blue-and-green manner of paintings. Rather he adopted positively Dong-ju tradition, thus he showed the prototype for new style of paintings of in his middle years.

Abstract

This paper is research on early paintings of Zhao Meng-fu(1254-1322) and its background. It seems that his thoery of archaistic revival of old styles was influenced by the revivalism in literature in Southern Song period. There was already a drive toward revivalism in literature. It was strongly developed by the Neo-Confucian scholars, like Zhu Xi(1130-1200) in Southern Song period. It seems that Zhao Meng-fu had also agreed with their view to some extent. We can naturally assume that his thoery of archaistic revival of old styles in examined from the viewpoint of spreading of revivalism in literature in Southern Song period. Considering his family background, the paintings in his early years can be interpreted as the adoption and the transformation of archaistic paintings with blue-and-green manner which showed the influences of paintings of Southern Song period. In the development of his early paintings, the blue-and-green manner of landscape was introduced with the Mind Landscape of Xie You-yu. It was transformed by absorbing the Li-Guo tradition in River Village. However, the turning point where he began to show his own style was in Auturm Colors on the Que and Hua Mountains. He was not bound by the old rule of blue-and-green manner of paintings. Rather he adopted positively Dong-ju tradition, thus he showed the prototype for new style of paintings of in his middle years.

참고문헌 (9)

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  4. "印史序", 松雪齋集, 6
  5. 韓愈, "答劉正夫書", 韓昌黎文集校注, 3
  6. 米芾, "畵史, 무악은 오도자를 배웠는데 고의가 있다", 武岳學吳, 有古意, ~
  7. 朱熹, "答鞏仲至第四書", ~
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  9. 趙孟頫, "謝幼輿邱壑圖卷跋", ~

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