윤동주 시에 나타나는 만주, 한국, 일본에서의 공간인식의 양상- <거리>를 중심으로

Abstract

There are a few thesis about the aspect of recognition of space in Yoon's poem. Nevertheless, there has been no thesis about space of his birth in China, and his study in Korea, and study in Japan in series and continuity. There are different levels in those spaces while there were colonized by Japan. So the thesis is focused on the recognition of space in three spaces as a same place. These is poem Street, which is based on China, Korea, and Japan. There are also peom On street based in China , Street with board in Korea (1941), and Flowing street in Japan (1942, 5, 12) Reflected upon three peoms, Street is centered on the writer of itself, while other two is rather developed focusing history and relationship with others. It aslo related with personal development and experience as an adult. In other points, the poet's view is developed from personal viewpoint to reality of the period. Time difference of three poems are quite huge but interestingly the time period is happened at night commonly. It seems quite personal interest of poet himself only focused on the night time for the poem background.Yoon dongju’s poem is based on the darkness in world view. Even he recognized that the opposite side is the light, the darkness is awakened before the light. The view is developed toward lightness through darkness. His recognition of world view focused on the darkness is related with his view in poem. It is also related with his religious view point with his world view and poem. The character of religious people is that they recognize the world as chaos rather than cosmos. Therefore the chaos of time and place is tended to replace with holy one instead. That is, the world is recognized from the chaos. The chaos is revealed as the darkness and this can be used as the background of his poem as night.