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프로크루스테스의 초상 :로버트 프로스트 초기 시의 화자들

Procrustes in Disguise: The Speakers in Robert Frost's Early Poems

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Robert Frost's poetry has generally been considered fairly readable partly because of the simplicity or down-to-earth-ness of the messages that go along with the poet's projected public image and the 'traditional' forms he used. Against the grain of such general perception, this study reads some of the early poems of Robert Frost to re-characterize the beginning of the poet's career as a modernist attempt to challenge the dominant poetic conventions of the time: the genteel conventions. In reading the poems, this study focuses on frost's strategic method of using the speaker or persona regarding the delivery of meanings. Those readers who would like to find the immediate presence of Frost's voice in the poems,fail to distinguish the speaker and the poet, readily accepting the face value of what the speaker tries to convey: those messages which are in line with liberal individualism, like self-reliance, autonomous self, work ethics, etc. Frost's speakers, however, are rarely the mouthpiece of the poet himself. Rather, they are fictional characters who, while on the surface of the text appear to be hammering out a stable theme out of their everyday experience, under a heuristic scrutiny of the textual structure, turn out to be undermining the logic or the rationality of the theme, which can be identified as a modernist textual strategy that challenges the traditional conventions regarding the stability of meaning in a poetic text.

Abstract

Robert Frost's poetry has generally been considered fairly readable partly because of the simplicity or down-to-earth-ness of the messages that go along with the poet's projected public image and the 'traditional' forms he used. Against the grain of such general perception, this study reads some of the early poems of Robert Frost to re-characterize the beginning of the poet's career as a modernist attempt to challenge the dominant poetic conventions of the time: the genteel conventions. In reading the poems, this study focuses on frost's strategic method of using the speaker or persona regarding the delivery of meanings. Those readers who would like to find the immediate presence of Frost's voice in the poems,fail to distinguish the speaker and the poet, readily accepting the face value of what the speaker tries to convey: those messages which are in line with liberal individualism, like self-reliance, autonomous self, work ethics, etc. Frost's speakers, however, are rarely the mouthpiece of the poet himself. Rather, they are fictional characters who, while on the surface of the text appear to be hammering out a stable theme out of their everyday experience, under a heuristic scrutiny of the textual structure, turn out to be undermining the logic or the rationality of the theme, which can be identified as a modernist textual strategy that challenges the traditional conventions regarding the stability of meaning in a poetic text.

참고문헌 (22)

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  2. 설태수, "로버트 프로스트 시에서의 숲의 의미", 영어영문학연구, 52(4), pp.171~190 (2010), 한국중앙영어영문학회
  3. 양현철, "로버트 프로스트 시의 자연의 역할", 영어어문교육, 15(1), pp.187~202 (2009), 한국영어어문교육학회
  4. 설태수, "라즈니쉬에 비추어본 프로스트의 노동시", 동서비교문학저널, (17), pp.221~246 (2007), 한국동서비교문학학회
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  14. Lesley, Lee Francis, "Robert Frost and the Child: “Mother Goose and” “The Imagination Thing"", The Massachusetts Review, 45(2), pp.256~268 (2004)
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  16. Pound, Ezra, "Modern Georgics, In Critical Essays on Robert Frost", pp.19~21 (1982), G. K. Hall & Co
  17. Savoie, John, "A Poet's Quarrel: Jamesian Pragmatism and Frost's “The Road Not Taken", The New England Quarterly, 77(1), pp.5~24 (2004)
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  19. Shurr, William H., "Once more to the “Woods”: A New Point of Entry into Frost's Most Famous Poem", The New England Quarterly, 47(4), pp.584~594 (1974)
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  22. Zubizarreta, John, "Robert Frost Encyclopedia" (2001), Greenwood Publishing Group

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