머스 커닝햄의 <델리 코메디아>(Deli Commedia)에 관한 연구

Abstract

The purpose of this study is to analyse <Deli Commedia> by Merce Cunningham in order to get the idea of choreographing stage dance pieces. The process of creating video dance was considered from the aspects of the ways how Merce Cunningham understands and approaches to the possible dance scenes-both in cuts and flowing of movement-using the camera. The characteristics of pieces by Merce Cunningham during the 1970s and 1980s stimulated the exploration of dance-system presenting the high energy and elaboration of movement. <Deli Commedia> uses various dance movements from Cakewalk, Tango, Lindy Hop including stage effects and properties. The video dances which in general allow us to find out movements used in different ways, however the improvement of advanced Cunningham technique that preserves and determines the piece's quality of movements and dancers. <Deli Commedia> is considered to expand the attention to the intensified, experienced realms of movements by utilizing video and film as well as its aesthetic values. From this study the compositional method of video-film dance was perceived a few scenes that was utilized for the choreography and composition of spacial design of stage dance pieces. Furthermore the compositional variation of video-film dance is considered to be necessary for the fundamental work for collaboration of dance and technology today.