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The Study on the Choreographical Use of Music-Based upon Martha Graham's Appalachian Spring

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This research is to study on the choreographic use of music in dance through the study of Martha Graham’s Appalachian Spring. The dance presented an artistically excellent collaboration which led to synergy that were greater than the sum of their individual contributions, with its landmark score by Aaron Copland. Graham demonstrated musical sensitiveness, and captured the emotional essence of the music in her choreographical use. On the whole, Graham's use of music was categorized in three such as parallelism, contrast, and counterpoint that showed a paradigm for choreographers.

Abstract

This research is to study on the choreographic use of music in dance through the study of Martha Graham’s Appalachian Spring. The dance presented an artistically excellent collaboration which led to synergy that were greater than the sum of their individual contributions, with its landmark score by Aaron Copland. Graham demonstrated musical sensitiveness, and captured the emotional essence of the music in her choreographical use. On the whole, Graham's use of music was categorized in three such as parallelism, contrast, and counterpoint that showed a paradigm for choreographers.

참고문헌 (20)

  1. Anderson, J., "Ballet and Modern Dance" (1992), A Dance Horizons Book
  2. Coe, R., "Dance in America" (1985), E. P. Dutton
  3. Croly, H. D., "Mindy Aloff on Dance: Husbandry", The New Republic, 3, pp.25~27 (2000)
  4. De Mille, A., "Martha: The Life and Work of Martha Graham" (1991), Random House
  5. Denby, E., "Dance Writings" (1986), Alfred A. Knopf
  6. Graham, M., "Blood Memory" (1991), Doubleday
  7. Isenstein, H., "'Appalachian Spring' Redux: Researcher Documents the Art of Collaboration", Library of Congress Information Bulletin, pp.145~146 (1996)
  8. Jowitt, D., "Time and the Dancing Image" (1998), U. of California Press
  9. Lloyd, M., "Borzoi Book of Modern Dance" (1949), Dance Horizons
  10. Louis C., "Music Composed for Martha Graham: A discussion of Musical and Choreographic Collaborations", 박사, pp.1991
  11. Martin, K., "Expressions in Motion: A Study of Dalcroze Eurhythmics in the Context Aaron Copland's “Appalachian Spring”", ~ (2004)
  12. Pollack, H., "Aaron Copland: The Life and Work of an Uncommon Man" (1999), Henry Holt
  13. Robertson, A., "The Dance Handbook" (1990), G. K. Hall & Co
  14. Robertson, M., "Musical and Choreographic Integration in Copland's and Graham's Appalachian Spring", The Musical Quarterly, (Spring), pp.6~26 (1999)
  15. Salas, J. O., "Aaron Copland: A New York Composer", Tempo, 9(Autumn), pp.8~16 (1948)
  16. Stodelle, E., "Deep Song: The Dance Story of Martha Graham" (1984), Schirmer Books
  17. White, J. D., "Understanding and Enjoying Music" (1968), Dodd, Mead
  18. "Program note, Appalachian Spring premiere", Coolildge Auditorium, ~ (1944)
  19. "An American Original in Performance", N.J. Kultur, ~ (1958)

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