『악학궤범(樂學軌範)』의 사상적 체계를 통한 ＜육화대(六花隊)＞ 춤절차의 의미

Abstract

The objective of this study is to interpretate the meaning of dancing pattern of <Yughwadae(六花隊)> in Dangackjungje(唐樂呈才) in which the Gwae(卦) is drawn at the dancing formation based on the philosophic structure of Acg(樂) described in 『Ackhakquebeum(樂學軌範)』 vol. 1. The first step was to understand the philosophic structure of ancient times based on 'correlative thinking(相關的 思惟)' and 'responsive idea(感應)' in 『Ackhakquebeum(樂學軌範)』 vol. 1. and then to interpretate the meaning of dancing pattern of <Yughwadae> by the image(卦象) of 64 Gwae which was drawn at the dancing formation of <Yughwadae> In the traditional history the philosophic domain such as human, national system, and heavenly body as a composition of the universe and the use of Acg was to comply with 'the law of nature[理]', and also this 'correlative thinking' was apparently to applied to designing of dance. Particularly, in the preface of 『Ackhakquebeum』, it is emphasized that the movement of dance is strongly related with the law of nature saying "The dance should be designed according to Pal-pung(八風) and this is not artificial work but the law of nature". The significance of this study is to understand the principle of designing dance in traditional times and its philosophic meaning by an interpretation of dancing pattern correlating with the philosophic structure of Acg in 『Ackhakquebeum(樂學軌範)』 vol. 1. And it is expected as well that it provides the basis to explain its intrinsic meaning of work by introducing the principle of arts in reproducing and creating Gungjungjeongjae in these days.