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본(本)살풀이에 내재한 본질적 특성

The Essential Nature on the Inner Side of Bon-salpuri

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초록

The two purposes of this study are to re-establish the analysis of Bon-salpuri's chumsawuiand chumgil-structure into the concepts of time & space, and to explain the essentialnature on the inner side of it. The researcher has adopted not only the direct-participant observationbut also indirect-participant observation, and has employed 'maru' and 'obang'concept as an analyzing units. The conclusion of this study is as follows. Bon-salpuri takes naturalness, Taeguk idea, returning& circulation and elegance in the air as the essential nature. The elegant manner ofthe dance has been more emphasized than technical dance skills.

Abstract

The two purposes of this study are to re-establish the analysis of Bon-salpuri's chumsawuiand chumgil-structure into the concepts of time & space, and to explain the essentialnature on the inner side of it. The researcher has adopted not only the direct-participant observationbut also indirect-participant observation, and has employed 'maru' and 'obang'concept as an analyzing units. The conclusion of this study is as follows. Bon-salpuri takes naturalness, Taeguk idea, returning& circulation and elegance in the air as the essential nature. The elegant manner ofthe dance has been more emphasized than technical dance skills.

참고문헌 (12)

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  3. 김연정, "승무와 살풀이에 나타난 움직임의 원리", 석사, 체육교육학, pp.1996
  4. 윤미라, "사상체질별 신체특성을 고려한 기무(氣舞) 원리에 관한 이론적 접근", 대한무용학회 논문집, 72(2), pp.89~112 (2014), 대한무용학회
  5. 이정숙, "한국전통춤의 삼재론적 해석 : 한영숙류 기본살풀이를 중심으로", 석사, 체육교육, pp.2000
  6. 임승국, "천부경(天符經), 한단고기" (2009), 정신세계사
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  8. 정병호, "한국의 전통춤" (2002), 집문당
  9. 래리 라벤더, "반성적 무용수업: 무용창작 수업에서의 비평 연습" (2009), 대한미디어
  10. . 서울: 중요무형문화재 전수회관 민속극장 풍류, , 2014
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