새로운 공연장, 온라인공연플랫폼에 대한 고찰과 방안
Consideration and Method for Online Performance Platforms, New Performance theater
0
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
The purpose of this study is to lead changes in awareness of rapidly emerging online performance platforms according to the times, present a checklist for selecting online performance platforms linked to successful performance, and present technical methods to prevent illegal copying and distribution to artists. The wider acceptance attitude and negative perception of artists are crucial to the development of the online performance industry, as the market value of the online performance platform is increasing and the opportunity to recognize it as a new performance industry. In order to select an online performance platform that has successful online performance and connectivity, the artist presented eight checklist items to consider. It is believed that artists should actively utilize digital recording device control technology and watermark technology to protect copyrights of artworks and prevent illegal copying and illegal distribution.
Abstract
The purpose of this study is to lead changes in awareness of rapidly emerging online performance platforms according to the times, present a checklist for selecting online performance platforms linked to successful performance, and present technical methods to prevent illegal copying and distribution to artists. The wider acceptance attitude and negative perception of artists are crucial to the development of the online performance industry, as the market value of the online performance platform is increasing and the opportunity to recognize it as a new performance industry. In order to select an online performance platform that has successful online performance and connectivity, the artist presented eight checklist items to consider. It is believed that artists should actively utilize digital recording device control technology and watermark technology to protect copyrights of artworks and prevent illegal copying and illegal distribution.
참고문헌 (12)
- 제환정, "코로나시대의 무용공연- 영상, 온라인, 그리고 언택트의 쟁점들", 한국예술연구, (30), pp.5~26 (2020), 한국예술연구소[DOI]
- 김태극, "언택트 공연의 활용 방안에 대한 연구_온라인 기반의 라이브 스트리밍을 중심으로", 석사, pp.2021
- 남주원, "’언택트(Untact)’기법의 공연예술 마케팅에 관한 연구_온라인 기반의 미디어를 활용한 공연예술 마케팅", 석사, pp.2020
- 김가은, "포스트코로나시대, 온라인 플랫폼 기반 공연 영상화 사업 사례분석을 통한 발전방안 연구", 문화예술융합연구, 1(2), pp.15~31 (2020), 상명대학교 글로벌문화예술교육연구소
- 코로나19가 문화예술분야에 미친 영향 및 정책대응방안 연구, "양혜원", 한국문화관광연구원, ~ (2020)
- 최영미, "온라인 공연의 몰입 경험에 대한 탐구 : 공연예술 콘텐츠 중심으로", 석사, pp.2021
- 김도연, "공연예술 영상기록의 현황과 과제 -국립극장 공연예술박물관을 중심으로-", 기록과 정보·문화 연구, (9), pp.137~162 (2019), 정보·기록학연구소
- 김구영, "공간마스킹을 이용한 적응적 디지털 워터마크", 정보보호학회논문지, 9(3), pp.39~52 (1999), 한국정보보호학회
- 코로나19에 의한 공연예술분야 피해현황 조사보고서, "김도일", 예술경영지원센터, ~ (2021)
- 음악 포렌식마크 기술 성능평가 인증 표준화 연구, "정재곤", 한국저작권위원회, ~ (2009)
- 임주연, "2021년 공연실황 영상 촬영 및 아카이빙 영상 제작 제안요청서", 한국문화예술위원회, ~ (2021)
- "공연예술통합전산망"[URL]