국립발레단 <해적> 재안무 연구

Abstract

Through the analysis of the provides important data for building anoth- er unique repertoire through the analysis of the National Ballet's <Le corsaire> re-choreography work, and aims to study the details of the adap- tation and whether re-choreography works contribute to popularization in modern trends to audiences after 2020. The ballet work <Le Corsaire> has changed various elements such as music, choreography, characters, and ending according to historical trends. Greece and Turkey, the geographical background common in the ballet work <Le Corsaire>, and the slave mar- ket and the palace of Harem have been working in leading ballet compa- nies with this narrative structure so far over time. The re-choreography of the 2020 Korean National Ballet <Le Corsaire>, which is the subject of this study, was newly created to suit the modern trend and reduce the historical pain of Korea by re-choreography and adaptation of narrative, choreography, and directing. In this study, the analysis of the changes of the Korean National Ballet <Le Corsaire> was largely summarized into three categories: narrative, choreography, and directing. First, the analy- sis of the narrative can be examined through the analysis of changes in the membrane, the analysis of changes in the character, and the analysis of changes in the ending, which are the most changed parts of the Korean National Ballet's <Le Corsaire> re-choreography work. We tried to adapt the overall contents with the aim of creating a new re-choreography work for "Pirate", which is ours, and showed a challenging and independent at- tempt to reconstruct Korea's independent <Le Corsaire>. Second, the change in the choreography of the Korean National Ballet's re-choreography <Le Corsaire> was choreographed by logic to equip the reality of the story, and the choreographer's philosophical meaning was faithfully reflected. Third, the biggest change is to highlight the dancer instead of the col- orful background in the dance and acting scenes of the Korean National Ballet's <Le Corsaire> re-choreography work. The premiere of the Korean National Ballet's <Le Corsaire> re-chor- eography was an opportunity to build based on the unique repertoire of Korean ballet in accordance with the current situation, and it was a chal- lenging attempt made despite the fact that the performance was not con- tinuous due to COVID-19. In addition, the Korean National Ballet's <Le Corsaire>re-choreography study, which was derived through this study, was adapted and re-choreographed in accordance with the modern trend that other ballet troupes in Korea have not tried, can suggest that it is an important starting point for establishing the Korean National Ballet's unique pre-movie repertoire and an influx of new visitors.