돈 끼호떼가 둘씨네아에게 부여한 ‘사랑’의 이미지
The love image of Dulcinea in Don Quijote de la Mancha
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Dulinea represents the most disconcerting case in Western literature. She is a character but never appears as a character in the Quijote. However, Dulcinea is a complex character, whose analysis can be started from very different perspectives. Dulcinea is the creation of a creation: she is an invention of Don Qujote de la Mancha, which in turn is an invention of Alonso Quijano, which in turn is an invention of Cervantes. Dulcinea is a necessity so that Alonso Quijano can become Don Quijote. She is one of the elements that the gentleman needs to be knight, because she represents "la Dama" of the chivalrous novel with the courtly love. From there, its characterization serves to the treatment of the loving subject, because she is the spirit that sets in motion the gentleman at the time of undertaking his adventures. But the point of departure of the ideal lady, Dulcinea, is a peasant Aldonza Lorenzo, who works as a parody of courtly love. With this technique, Cervantes considers the Neoplatonism in the Renaissance, which is the aesthetic thought of Christian Neoplatonism. In the theologia Platonica on the immortality of the soul, Cervantes describes the immortality of the love through the character Dulcinea. For Cervanes, Dulcinea symbolizes ‘Beauty’, which is the product of God’s Love as the principle of cosmic harmony and unity. In this way, Dulcinea survives forever after the death of Don Quijote.
Abstract
Dulinea represents the most disconcerting case in Western literature. She is a character but never appears as a character in the Quijote. However, Dulcinea is a complex character, whose analysis can be started from very different perspectives. Dulcinea is the creation of a creation: she is an invention of Don Qujote de la Mancha, which in turn is an invention of Alonso Quijano, which in turn is an invention of Cervantes. Dulcinea is a necessity so that Alonso Quijano can become Don Quijote. She is one of the elements that the gentleman needs to be knight, because she represents "la Dama" of the chivalrous novel with the courtly love. From there, its characterization serves to the treatment of the loving subject, because she is the spirit that sets in motion the gentleman at the time of undertaking his adventures. But the point of departure of the ideal lady, Dulcinea, is a peasant Aldonza Lorenzo, who works as a parody of courtly love. With this technique, Cervantes considers the Neoplatonism in the Renaissance, which is the aesthetic thought of Christian Neoplatonism. In the theologia Platonica on the immortality of the soul, Cervantes describes the immortality of the love through the character Dulcinea. For Cervanes, Dulcinea symbolizes ‘Beauty’, which is the product of God’s Love as the principle of cosmic harmony and unity. In this way, Dulcinea survives forever after the death of Don Quijote.
참고문헌 (23)
- 권미선, "피카레스크 소설의 탄생에 미친기사소설의 영향", 이베로아메리카, 10(1), pp.33~59 (2008), 중남미지역원
- 김경범, "돈키호테의 죽음: 각성 혹은 새로운 영웅의 탄생", 스페인어문학, (26), pp.187~207 (2003), 한국스페인어문학회
- 김대현, "플라톤의 『향연』에 나타난 사랑의 의미와 그 교육적 의의", 교육철학연구, (45), pp.53~73 (2009), 한국교육철학학회[DOI]
- 김상근, "신플라톤주의 신학이 16-17세기 유럽의 마녀사냥에 미친 영향", 신학논단, 51, pp.139~171 (2008)
- 마샬 누스바움, "감정의 격동 3: 사랑의 등정" (2015), 새물결
- 양운덕, "사랑의 인문학: 사랑의 문학·사랑의 철학" (2015), 삼인
- 이순아, "그리스도교적 신플라톤주의 미학사상 : 마르실리오 피치노를 중심으로", 미학예술학연구, 19, pp.1~42 (2004), 한국미학예술학회
- 주창윤, "사랑이란 무엇인가" (2015), 마음의 숲
- Cervantes, Miguel de, "El Ingenioso Hidalgo Don Quijote de la Mancha I, II" (1989), Cátedra
- Chicote, Gloria, "El amor cortés: otro acercamiento posible a la cultura medieval", III jornadas de Estudios Clásicos y Medievales, 12, pp.345~353 (2007), Centro de Estudios de Teoría y Crítica Literaria
- Espejo Madrigal, "Actas del VIII Congreso Internacional de la Asociación de Cervantistas", pp.195~204 (1999), El Toboso
- Fogelquist, James Donald, "El Amadís y el género de la historia fingida" (1982), José Porrúa Turanzas
- García de Frutos, Héctor, "Algunas consideraciones en torno al amor cortés: sublimación entre el vacío de das Ding y el Nombre de la Dama", NOVUS, 37, pp.1~9 (2012)
- Guillén, Jorge, "Vida y muerte de Alonso Quijano", Romanische Forschungen, 6, pp.102~113 (1952)
- Ivanovici, Victor, "Secularizando el amor cortés", Visiones y revisiones cervantinas: actas selectas del VII Congreso Internacional de la Asociación de Cervantistas, pp.389~410 (2011)
- Induráin, Carlos Mata, "Ella pelea en mí y vence en mí: Dulcinea, ideal amoroso del Caballero de la Voluntad", Príncipe de Viana, (236), pp.663~676 (2005)
- Johan Huizinga, "El Otoño de la Edad Media" (1985), Alianza Editorial
- Kristeva, Julia, "Historias de amor" (1987), Siglo XXI
- Lafitte-Houssat, Jacques, "Trovadores y cortes de amor" (1965), Eudeba
- Lamberti, Mariapia, "Dulcinea o el ideal", Visiones y revisiones cervantinas, actas selectas del VII Congreso Internacional de la Asociación de Cervantistas, pp.421~432 (2011)
- Padrón, Francisco Morales, "Fisonomía de la conquista indiana" (1955), Consejo Superior de Investigaciones Científicas
- Redondo, Augustín, "Los amores burlescos en el Quijote: Una cala en la parodia cervantina", pp.227~248 (2007), Bulletin of the Cervantes Society of America
- Varvaro, Alberto, "Literatura romántica de la Edad Media" (1983), Ariel
