고전 신화와 성서의 융합 - 성체극에 나타난 깔데론의 입장을 중심으로
A Study on the Fusion of Classical Myths and the Bible in Calderon de la Barca's Sacramental Act
0
조회
0
다운로드
6
인용
0
참고문헌
키워드
초록
Pedro Calderon de la Barca's mythological sacramental act is a drama genre in which the heroes of the Greek Roman mythology are transformed into Catholic saints to embody the mystery of Christ's Eucharist. The mythical figures, accepted by Calderon, were reborn as fresh heroines in the Catholic Religious Theater. It helped the audience in the 17th century to understand Catholic doctrine in a fresh and novel way. Combining the ideas of pagan classical myths with biblical stories, his Baroque sacramental acts acquired expressive power in response to the spirit of the Counter-Reformation. They say that Baroque is a fusion of medieval sky and Renaissance' land. Calderon's mythological sacramental acts appropriately show the essence of the fusion of these two disparate visions. In the 17th century Spanish Catholic literature, Calderon's works were examples of the resurrection of the two contrasting worlds: the ancient Greek pagan culture of the Aryans and the Jewish Christian tradition of the Semites. The metamorphosis of Greek mythology in his sacramental acts demonstrates not only a return to the tradition of the medieval church, but also a literary phenomenon that captures the culmination of Catholic Reformation literature.
Abstract
Pedro Calderon de la Barca's mythological sacramental act is a drama genre in which the heroes of the Greek Roman mythology are transformed into Catholic saints to embody the mystery of Christ's Eucharist. The mythical figures, accepted by Calderon, were reborn as fresh heroines in the Catholic Religious Theater. It helped the audience in the 17th century to understand Catholic doctrine in a fresh and novel way. Combining the ideas of pagan classical myths with biblical stories, his Baroque sacramental acts acquired expressive power in response to the spirit of the Counter-Reformation. They say that Baroque is a fusion of medieval sky and Renaissance' land. Calderon's mythological sacramental acts appropriately show the essence of the fusion of these two disparate visions. In the 17th century Spanish Catholic literature, Calderon's works were examples of the resurrection of the two contrasting worlds: the ancient Greek pagan culture of the Aryans and the Jewish Christian tradition of the Semites. The metamorphosis of Greek mythology in his sacramental acts demonstrates not only a return to the tradition of the medieval church, but also a literary phenomenon that captures the culmination of Catholic Reformation literature.
참고문헌 (30)
- 고종희, "가톨릭개혁 미술과 바로크 양식의 탄생", 미술사학, 23, pp.347~375 (2009), 한국미술사교육학회
- "공동번역 성서"[URL]
- 매슈 아널드, "교양과 무질서" (2016), 한길사
- 박혜숙, "프랑스 문화의 두 젖줄, 그리스 신화와 성서", 프랑스어권 문화예술연구, 28, pp.99~132 (2009), 프랑스문화예술학회[DOI]
- 아폴로도로스, "원전으로 읽는 그리스 신화" (2004), 숲
- 안영옥, "스페인 문학에서의 고전신화 수용양상 연구 1: 황금세기 시를 중심으로", 스페인라틴아메리카연구, 11(1), pp.47~83 (2018), 스페인 라틴아메리카 연구소[DOI]
- 이만희, "깔데론 델 라 바르까의 성체극과 코러스 - 『세상은 거대한 시장』을 중심으로-", 스페인어문학, (52), pp.177~195 (2009), 한국스페인어문학회
- 이만희, "칼데론 델 라 바르카의 성체극과 신화 - 『거룩한 이아손 El divino Jasón』을 중심으로", 세계문학비교연구, (63), pp.211~230 (2018), 세계문학비교학회[DOI]
- 이진성, "그리스 신화의 이해" (2004), 아카넷
- 오비디우스, "변신이야기" (1995), 민음사
- 주세페 알베리고, "보편 공의회 문헌집 제 3권-트렌토 공의회 제1차 바티칸 공의회-", pp.2006~ (1999), 가톨릭출판사
- 최형락, "천주교 용어사전" (1995), 작은예수
- Andrés-Suárez, Irene, "El teatro dentro del teatro: Cervantes, Lope, Tirso y Calderón" (1997), Verbum
- Arias, Ricardo, "The Spanish sacramental plays" (1980), Twayne Publishers
- Berrio Martín-Retortillo, Pilar, "Notas a El dividno Orfeo de Calderón de la Barca", Actas del IV Congreso de la AISO, 4, pp.251~261 (1996)
- Bojana Tomc, Ljubljana, "El mito de Orfeo en El divino Orfeo de Pedro Calderón de la Barca", Verba hispanica, 16, pp.43~62 (2008)
- Calderón de la Barca, Pedro, "Obras completas III : Autos sacramentales" (1991), Aguilar
- Calderón de la Barca, Pedro, "Autos sacramentales" (2010), Homo Legens
- Casalduero, Joaquín, "Estudios sobre el teatro español" (1981), Gredos
- Díez Borque, "El teatro en el siglo XVII" (1988), Taurus
- Duarte, José Enrique, "Actas del Congreso Internacional", pp.72~91 (1997), Universidad de Navarra
- Durán, Manuel, "Calderón y la crítica: Historia y antología II" (1976), Gredos
- García Lorenzo, Luciano, "Calderón: actas del Congreso Internacional sobre Calderón y el teatro español del Siglo de Oro" (1983), CSIC
- González Pedroso, Eduardo, "Autos sacramentales desde su origen hasta fines del siglo XVII" (1865), M. Rivadeneyra
- Huerta Calvo, Javier, "Teatro español" (2005), Espasa Calpe
- Menéndez Peláez, Jesús, "Teatro e Iglesia en el siglo XVI: de la reforma católica a la contrarreforma del Concilio de Trento", Criticón, 94-95, pp.49~67 (2003)
- Páramo Pomareda, Jorge, "Consideraciones sobre los 'Autos mitológicos' de Calderón de la Barca", Thesaurus, 12, pp.51~80 (1957)
- Parker, Alexander A., "La imaginación y el arte de Calderón" (1991), Cátedra
- Paz, Octavio, "Sor Juana Inés de la Cruz o las trampas de la fe" (1985), Fondo de Cultura Económica
- Rull Fernández, Enrique, "Autos Sacramentales del Siglo de Oro" (2003), Ediciones Libertarias