루이스 알베르토 데 쿠엔카의 시에 나타나는 70세대와 80세대적 요소들
Elements of the Seventies and Eighties Generations in the Poems of Luis Alberto de Cuenca
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Although he has not been considered as one of the main members of the Generation of '70, Luis Alberto de Cuenca has left more works than any other poets of his own literary group. In addition, the main characteristic of his works is basically the same and it is found in the poetry of this group. The presence of “Culturalism” in his poems can be dated back to the decade of the seventies. Luis Alberto de Cuenca's 'Culturalism' is not rooted on the culture of mass media but on bookish culture, which demands from the reader deep knowledge of history, art or culture. In this sense, Luis Alberto de Cuenca can be considered a pioneer in the renovation of lyric poetry in opposition to the realism which had been prevalent in the previous period. However, in the 80's, his poetry started undergoing a significant change, as the presence of cultural elements was drastically reduced and his poems started incorporating some of his own daily experiences, which constituted a turning point back to realistic perspectives. His lyricism also became more plain and simple, while his poems turned shorter than they used to be. Such a change in Luis Alberto de Cuenca's verses exemplifies the essential characteristics of the poetics of the 80's, realism and the so-called “poetry of experience”. In this sense, Luis Alberto de Cuenca may be considered a poet who has played the role of a “bridge” between the generations of the seventies and the eighties.
Abstract
Although he has not been considered as one of the main members of the Generation of '70, Luis Alberto de Cuenca has left more works than any other poets of his own literary group. In addition, the main characteristic of his works is basically the same and it is found in the poetry of this group. The presence of “Culturalism” in his poems can be dated back to the decade of the seventies. Luis Alberto de Cuenca's 'Culturalism' is not rooted on the culture of mass media but on bookish culture, which demands from the reader deep knowledge of history, art or culture. In this sense, Luis Alberto de Cuenca can be considered a pioneer in the renovation of lyric poetry in opposition to the realism which had been prevalent in the previous period. However, in the 80's, his poetry started undergoing a significant change, as the presence of cultural elements was drastically reduced and his poems started incorporating some of his own daily experiences, which constituted a turning point back to realistic perspectives. His lyricism also became more plain and simple, while his poems turned shorter than they used to be. Such a change in Luis Alberto de Cuenca's verses exemplifies the essential characteristics of the poetics of the 80's, realism and the so-called “poetry of experience”. In this sense, Luis Alberto de Cuenca may be considered a poet who has played the role of a “bridge” between the generations of the seventies and the eighties.
참고문헌 (29)
- Alvar, Antonio, "Antología de la poesía latina" (1981), Alianza Editorial
- Batlló, José, "Antología de la nueva poesía española" (1977), Editorial Lumen
- Benéitez Andrés, Rosa, "Algo nuevo con los novísimos", Bulletin of Hispanis Studies, 92(5), pp.551~566 (2015)
- Bousoño, Carlos, "Poesía poscontemporánea" (1985), Ediciones Júcar
- Castellet, José María, "Nueve novísimos poetas españoles" (2006), Ediciones Península
- Cuenca, Luis Alberto de, "Poesía 1979-1996" (2006), Ediciones Cátedra
- Cuenca, Luis Alberto de, "Elsinore Scholia Necrofilia (1972-1983)" (2017), Reino de Cordelia
- Cuenca, Luis Alberto de, "Los mundos y los días Poesía 1970-2009" (2019), Visor Libros
- Debicki, Andrew P., "La generación española de 1956-1971" (1982), Ediciones Júcar
- García de la Concha, Víctor, "La poesía española de 1935 a 1975 (2 Vols.)" (1987), Ediciones Cátedra
- García Martín, José Luis, "Las voces y los ecos" (1980), Ediciones Júcar
- García Martín, José Luis, "La generación de los ochenta" (1988), Consorci d’Editors Valencians
- García Sánchez, Jesús, "Antología consultada de la poesía española" (1998), Visor Libros
- Jongh Rossel, Elena de, "Poesía última española" (1982), Espasa-Calpe
- Lanz, Juan José, "La joven poesía española. Notas para una periodización", Hispanic Review, 66(3), pp.261~287 (1998)
- Letrán, Javier, "La poesía postmoderna de Luis Alberto de Cuenca" (2005), Editorial Renacimiento
- Moral, Concepción G, "Joven poesía española" (1982), Ediciones Cátedra
- Palomero, Mari Pepa, "Poetas de los 70" (1987), Ediciones Hiperión
- Pozanco, Víctor, "Nueve poetas del resurgimiento" (1976), Editorial Linosa
- Provencio, Pedro, "La generación del 70" (1988), Ediciones Hiperión
- Sánchez García, Remedios, "El canon abierto, Última poesía en español (1970-1985)" (2015), Visor Libros
- Siles, Jaime, "El culturalismo de los primeros libros de Luis Alberto de Cuenca: 1968-1983", Litoral, núm, 255, pp.42~52 (2013)
- Suárez Martínez, "Aproximación al mundo clásico en la poesía de Luis Alberto de Cuenca", Universidad de León
- Suárez Martínez, "El laberinto textual de la poesía de Luis Alberto de Cuenca: Los mundos y los días. Poesía 1970-2002", Dicenda, 29, pp.289~299 (2011)
- Suárez Martínez, "La tradición clásica en el Reino blanco de Luis Alberto de Cuenca", Cuadernos de Filología Clásica. Estudios Latinos, 34(1), pp.143~166 (2014)
- Vázquez Losada, Javier, "Alrededor de Luis Alberto de Cuenca" (2011), Neverland Ediciones
- Villena, Luis Antonio de, "Enlaces entre vanguardia y tradición (Una aproximación a la estética 《novísima》)", Los Cuadernos del Norte, Monografía, (3), pp.32~45 (1986)
- Villena, Luis Antonio de, "Postnovísimos" (1986), Visor Libros
- Villena, Luis Antonio de, "Antología (El sesgo clásico en la última poesía española)" (1992), Visor Libros