디아스포라 사후기억의 전승 -호세피나 알데코아의 『검은 옷의 여성들』-
The Transmission of Diasporic Postmemory in Josefina Aldecoa’s Mujeres de negro
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Josefina Aldecoa, born in Leon, Spain in 1926, is a member of the ‘50’s generation’, a generation that experienced the trauma of the civil war in childhood. In this study, I will examine the transmission of diasporic postmemory in the novel Mujeres de negro published in 1994. To explore the intergenerational transmission of memory between mother and daughter, I will analyze this process at a micro level through the concepts of affective prememory and postmemory. In addition, I will address diaspora identity from a phenomenological perspective, focusing on the fact that existing diaspora identity is criticized as categorical and reductive by understanding it from the ontological aspect of having a single act and common essence. I will explore how exile and return, prompted by the civil war, transform the lives of mother and daughter, shaping their identities. In the process of postmemory reconstruction, the exploration of others is required, and in particular, through the formation of intersubjectivity within the framework of the family, I will demonstrate that postmemory aesthetics is a diaspora aesthetics of temporal and spatial exile, and a process of reconstruction and mourning.
Abstract
Josefina Aldecoa, born in Leon, Spain in 1926, is a member of the ‘50’s generation’, a generation that experienced the trauma of the civil war in childhood. In this study, I will examine the transmission of diasporic postmemory in the novel Mujeres de negro published in 1994. To explore the intergenerational transmission of memory between mother and daughter, I will analyze this process at a micro level through the concepts of affective prememory and postmemory. In addition, I will address diaspora identity from a phenomenological perspective, focusing on the fact that existing diaspora identity is criticized as categorical and reductive by understanding it from the ontological aspect of having a single act and common essence. I will explore how exile and return, prompted by the civil war, transform the lives of mother and daughter, shaping their identities. In the process of postmemory reconstruction, the exploration of others is required, and in particular, through the formation of intersubjectivity within the framework of the family, I will demonstrate that postmemory aesthetics is a diaspora aesthetics of temporal and spatial exile, and a process of reconstruction and mourning.
참고문헌 (17)
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