영화 <로마>: 멕시코 사회에 내재된 인종주의
“Roma”: Internalized Racism in Mexican Society
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The purpose of this study is to analyze the racism and social condition of the indigenous people represented in the film "Roma" (2018) by the Mexican director Alfonso Curarón. The director, through the character Cleo, an indigenous woman of lower social class, openly displays racial, social and sexual discrimination that exists in Mexican society. In addition, the film in which no character problematizes the living conditions of domestic workers shows that Mexicans naturally and (un)consciously internalized racial and sociocultural discrimination based on racial difference. In this way, the film, through Sofía's family as a miscocosm of Mexico, configures the character Cleo as a being included exclusively in Mexican society. In this sense, the movie would be the most controversial work that has opened the contentious debate about racism in Mexico, which has been denied throughout the Mexican history.
Abstract
The purpose of this study is to analyze the racism and social condition of the indigenous people represented in the film "Roma" (2018) by the Mexican director Alfonso Curarón. The director, through the character Cleo, an indigenous woman of lower social class, openly displays racial, social and sexual discrimination that exists in Mexican society. In addition, the film in which no character problematizes the living conditions of domestic workers shows that Mexicans naturally and (un)consciously internalized racial and sociocultural discrimination based on racial difference. In this way, the film, through Sofía's family as a miscocosm of Mexico, configures the character Cleo as a being included exclusively in Mexican society. In this sense, the movie would be the most controversial work that has opened the contentious debate about racism in Mexico, which has been denied throughout the Mexican history.
참고문헌 (19)
- 김기현, "“메스티사헤(mestizaje)” 이후의 라틴아메리카 인종주의", 호모미그란스-이주, 식민주의, 인종주의, 1, pp.97~116 (2009), 이주사학회
- 김수연, "디지털 시네마가 구현하는 리얼리티의 두 경향: <그래비티>와 <로마>를 중심으로", 영상문화, (34), pp.133~158 (2019), 한국영상문화학회
- 심은진, "작은 화면, 더 많은 사운드: 넷플릭스는 어떻게 사운드 디자인을 강조하는가?", 씨네포럼, (34), pp.31~49 (2019), 영상미디어센터
- 월터 D. 미뇰로, "라틴아메리카, 만들어진 대륙. 식민적 상처와 탈식민적 전환" (2010), 그린비
- 이태훈, "영화콘텐츠의 예술적 상징표현 분석연구 영화 “로마(2018)”을 중심으로", 디지털융복합연구, 17(11), pp.475~482 (2019), 한국디지털정책학회[DOI]
- 정재형, "영화 <로마 Roma>(2018) 오프닝 크레딧 시퀀스의 텍스트분석", 영상문화, (34), pp.101~132 (2019), 한국영상문화학회
- 주종택, "라틴아메리카의 종족성과 신사회운동" (2012), 한국학술정보
- 호세 마르티, "독립과 나라 세우기. 19세기 라틴아메리카의 국민국가 기획", pp.233~248 (2018), 동명사
- "Constitución política de los Estados Unidos Mexicanos" (2021)[URL]
- "Roma" (2018)[URL]
- "Alfonso Cuarón: La relación entre clase social y bagaje étnico es la misma en todo el mundo" (2019)[URL]
- "Catalogo de las lenguas indígenas nacionales: variantes lingüísticas de México con sus autodenominaciones y referencias geoestadísticas" (2008)[URL]
- Nájar, Alberto, "La nominación al Oscar de Yalitza Aparicio por “Roma” y la polémica que causa entre actores y actrices de México su meteórico ascenso", BBC News Mundo, ~ (2019)
- Salazar Cortés, Arantxa, "La blanquitud e industria cinematográfica “incluyente”: el caso de Yalitza Aparicio", La Aljiba, 23, pp.191~201 (2019)
- "Pocos reconocemos el profundo problema de racismo que sufre nuestro país: Cuarón" (2018)[URL]
- "¿Sabías que en México hay 68 lenguas indígenas, además del español?" (2018)[URL]
- Spyer Dulci, Tereza María, "Una discusión sobre el racismo y el trabajo doméstico en Roma, de Alfonso Cuarón", Diálogo, 23(1), pp.55~67 (2020)
- Tsanis, Magdalena, "Alfonso Cuarón: rodar “Roma” fue un ejercicio de memoria “algo perverso", EFE News Service, ~ (2018)
- Villafranca, David, "En ‘Roma’ no me interesaba hacer una romantización del pasado", EFE News Service, ~ (2018)