Specters of Ruins Haunt a “Total Society” of Postmemorial Reality: A Critique of Neoliberal Modernity
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This paper investigates the so-called liberal paradox of post-war American modernity in terms of neoliberal capitalism as we know it. Essential to its critiquing the “America everywhere” Robert Kaplan refers to in his apocalyptic vision of the third world is its ontological antithesis—the ruinous entities of the Other that remain negated, inassimilable, and excluded not just outside of but also within the American empire. The term “ruins,” in this regard, refers to both symbolic and material entities ideologically sublated from the purview of anything falling under the rubric “America,” alluding to the regime of American modernity. Having said that, this paper examines first how theorized the notion of ruins is in the field of cultural criticism. It approaches the cultural implications of ruins as anti-ideological in the dominant culture, to the extent that they emerge from the invisible part of politics against the established social order. The so-called hauntology of ruin value is in fact spectral evidence paving the way for the possibility of what is strictly impossible in the ideological coordinates of reality. This possibility of including the, to cite Costas Douzinas, “part of no part” refers to a critical method of illuminating the socially excluded, politically invisible, and cognitively unrecognizable; it is equivalent to what Badiou refers to as “politics” proper, as collective action to “[overthrow] the rule of the game and [interrupt] the natural order of domination.” Then, this papers shows how the performativity of Americanism, which is, by its essence, spectral with frequency, bears on the liberal paradox of the country’s emancipatory discourse of democracy which, on the one hand, upholds equality and freedom while, on the other, inscribing racial injury in the notion of “one nation” sustaining a multicultural America.
Abstract
This paper investigates the so-called liberal paradox of post-war American modernity in terms of neoliberal capitalism as we know it. Essential to its critiquing the “America everywhere” Robert Kaplan refers to in his apocalyptic vision of the third world is its ontological antithesis—the ruinous entities of the Other that remain negated, inassimilable, and excluded not just outside of but also within the American empire. The term “ruins,” in this regard, refers to both symbolic and material entities ideologically sublated from the purview of anything falling under the rubric “America,” alluding to the regime of American modernity. Having said that, this paper examines first how theorized the notion of ruins is in the field of cultural criticism. It approaches the cultural implications of ruins as anti-ideological in the dominant culture, to the extent that they emerge from the invisible part of politics against the established social order. The so-called hauntology of ruin value is in fact spectral evidence paving the way for the possibility of what is strictly impossible in the ideological coordinates of reality. This possibility of including the, to cite Costas Douzinas, “part of no part” refers to a critical method of illuminating the socially excluded, politically invisible, and cognitively unrecognizable; it is equivalent to what Badiou refers to as “politics” proper, as collective action to “[overthrow] the rule of the game and [interrupt] the natural order of domination.” Then, this papers shows how the performativity of Americanism, which is, by its essence, spectral with frequency, bears on the liberal paradox of the country’s emancipatory discourse of democracy which, on the one hand, upholds equality and freedom while, on the other, inscribing racial injury in the notion of “one nation” sustaining a multicultural America.
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