제임스 조이스의 포스트모던 조정자와다시 쓰기
James Joyce’s Postmodern Arranger and Rewriting
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In the so-called ‘Dublin trilogy’ James Joyce presents various vignettes of Irish people suffering from English imperialism, corruptions of Catholicism and sentimentalism of Irish nationalist movement. Specially, three main characters in his novels, namely, Stephen Dedalus, Molly and Leopold Bloom respectively live the frustrated lives in these negative realities. To effectively reveal Irish suffering Joyce conducts many new experiments on forms. Among many, the ‘arranger’ is one of Joyce’s important technical devices. According to David Hayman, the Joycean arranger is used “to designate a figure or a presence that can be identified neither with author nor with his narrators, but that exercises an increasing degree of overt control over increasingly challenging materials(84). In a way, this arranger is ‘an invisible hand’ in a capitalistic viewpoint. However, in the postmodern society, the Jocyean arranger takes a more active and independent role of agency which is nevertheless constantly in conflict with the neo-liberalism, the newly emerged form of late poststructuralism. This paper deals with three rewritten works of Joyce’s novels to show the different aspects of arrangers in the postmodern era. Amanda Cross’s The James Joyce Murder., Peter Costello’s Leopold Bloom and Judith Kitchen’s The House on Eccles Road are the impressive works which show the heterotopic spaces, namely, spaces of otherness. Neither belonging to the present nor the past, the newly created Joycean agencies are living the spaces of pastiche under the pressure of neoliberalism. However, by connecting the old values with the new forms, these reproductions of Joycean novels provide us with possibility of symbiosis based on the self-sufficient free plays of historic implications.
Abstract
In the so-called ‘Dublin trilogy’ James Joyce presents various vignettes of Irish people suffering from English imperialism, corruptions of Catholicism and sentimentalism of Irish nationalist movement. Specially, three main characters in his novels, namely, Stephen Dedalus, Molly and Leopold Bloom respectively live the frustrated lives in these negative realities. To effectively reveal Irish suffering Joyce conducts many new experiments on forms. Among many, the ‘arranger’ is one of Joyce’s important technical devices. According to David Hayman, the Joycean arranger is used “to designate a figure or a presence that can be identified neither with author nor with his narrators, but that exercises an increasing degree of overt control over increasingly challenging materials(84). In a way, this arranger is ‘an invisible hand’ in a capitalistic viewpoint. However, in the postmodern society, the Jocyean arranger takes a more active and independent role of agency which is nevertheless constantly in conflict with the neo-liberalism, the newly emerged form of late poststructuralism. This paper deals with three rewritten works of Joyce’s novels to show the different aspects of arrangers in the postmodern era. Amanda Cross’s The James Joyce Murder., Peter Costello’s Leopold Bloom and Judith Kitchen’s The House on Eccles Road are the impressive works which show the heterotopic spaces, namely, spaces of otherness. Neither belonging to the present nor the past, the newly created Joycean agencies are living the spaces of pastiche under the pressure of neoliberalism. However, by connecting the old values with the new forms, these reproductions of Joycean novels provide us with possibility of symbiosis based on the self-sufficient free plays of historic implications.
참고문헌 (34)
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