The Comparison of Southern White Womanhood between Langston Hughes and Richard Wright
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Langston Hughes (1902-67) and Richard Wright (1908-60) lived in almost the same era, but it is obvious that their ways of describing the people, who are manipulated by gender-based controlling images, are different. Both Wright and Hughes try to reveal how reality is disturbed by the black menʼs and white womenʼs prevailing stereotypes; however, their works have very different tones. In Richard Wrightʼs short story, ʻʻThe Man Who Killed a Shadow,ʼʼ and Langston Hughesʼ poems in his early days, ʻʻSilhouetteʼʼ and ʻʻThe South,ʼʼ the stereotyped images of black masculinity and white womanhood are transformed and destroyed. While Hughes celebrates the black culture amicably, Wright depicts completely hopeless black men living in the world dominated by white supremacy. This difference is indicative of the shifting views from Harlem Renaissance to Post-Harlem Renaissance. While romantic tones can be still found in Hughesʼ poems, Wright subverts the power dynamics between the black man and the white woman, and completely ruins sentimentality which tends to be attached to the Southern stories in the 19th century.
Abstract
Langston Hughes (1902-67) and Richard Wright (1908-60) lived in almost the same era, but it is obvious that their ways of describing the people, who are manipulated by gender-based controlling images, are different. Both Wright and Hughes try to reveal how reality is disturbed by the black menʼs and white womenʼs prevailing stereotypes; however, their works have very different tones. In Richard Wrightʼs short story, ʻʻThe Man Who Killed a Shadow,ʼʼ and Langston Hughesʼ poems in his early days, ʻʻSilhouetteʼʼ and ʻʻThe South,ʼʼ the stereotyped images of black masculinity and white womanhood are transformed and destroyed. While Hughes celebrates the black culture amicably, Wright depicts completely hopeless black men living in the world dominated by white supremacy. This difference is indicative of the shifting views from Harlem Renaissance to Post-Harlem Renaissance. While romantic tones can be still found in Hughesʼ poems, Wright subverts the power dynamics between the black man and the white woman, and completely ruins sentimentality which tends to be attached to the Southern stories in the 19th century.
참고문헌 (9)
- Bryant, Earle V., "The Sexualization of Racism in Richard Wrightʼs ʻThe Man Who Killed a Shadow", Black American Literature Forum, 16(3), pp.119~121 (1982)
- Cowley, Malcom, "ʻNOT MENʼ: A Natural History of American Naturalism", The Kenyon Review, pp.414~435 (1947)
- Davis, Jane, "More Force Than Human: Richard Wrightʼs Female Characters", Obsidian II: Black Literature in Revies, 1(3), pp.68~83 (1985)
- France, Alan W., "Misogyny and Appropriation in Wrightʼs Native Son", Modern Fiction Studies, 34(3), pp.413~423 (1988)
- Huggins, Nathan Irvin, "Harlem Renaissance" (2007), Oxford UP
- Hughes, Langston, "Selected Poems of Langston Hughes" (1990), Vintage Classics
- Ochi, Hiromi, "The Southern Moment of Modernism" (2012), Kenkyusha
- Wright, Richard, "Eight Men" (1996), Harper Perennial
- Wright, Richard, "Native Son and How ʻʻBiggerʼʼ Was Born" (1993), HaperPerennial