여성문학에 나타난 ‘女’의 의미 - 히라쓰카 라이초(平塚らいてう)와 한무숙(韓戊淑)을 중심으로 -
The Meaning of “女” Shown in Women’s Literature - Focused around Raicho Hiratsuka(平塚 らいてう) and Moo-Sook Han(韓戊淑) -
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
In “Seito” by Raicho Hiratsuka, confident women became head starters to a new change in women’s advancement into society rather than assisting men’s lives. Throughout “Seito,” not only are the social structure and system at that time, the people who study women history, and the conflicts in the content stating women’s rights and equality stayed limited to an individual’s life or conflict, but also are viewed as a universal conflict, which allowed for Korean modern women writers to come into action. In “Woman Carrying a Lamp” by Moo-Sook Han, the story gives women’s hidden stories a part into history. Yet also, in feministic way, it describes each feminine aspect in each situation of mother-wife-daughter about how they could not have the right to require orderly feudal position and roles through the perspective of the character Young Hee. The patriarchal authoritative society representing women’s roles and position with reason and rationality to oppress women is well portrayed in Moo-Sook Han’s debut work in the literary field, “Woman Carrying a Lamp.” Ok-Boon who has an inferiority complex towards her social position, Young-Hee who wants to break from the custom, and Wan-Ock who wants to become a modern woman all skillfully depict how women’s lives are affected by the change in awareness of women’s daily life, the meaning of family framed by women and family, free love, and free marriage and the change in family life space.
Abstract
In “Seito” by Raicho Hiratsuka, confident women became head starters to a new change in women’s advancement into society rather than assisting men’s lives. Throughout “Seito,” not only are the social structure and system at that time, the people who study women history, and the conflicts in the content stating women’s rights and equality stayed limited to an individual’s life or conflict, but also are viewed as a universal conflict, which allowed for Korean modern women writers to come into action. In “Woman Carrying a Lamp” by Moo-Sook Han, the story gives women’s hidden stories a part into history. Yet also, in feministic way, it describes each feminine aspect in each situation of mother-wife-daughter about how they could not have the right to require orderly feudal position and roles through the perspective of the character Young Hee. The patriarchal authoritative society representing women’s roles and position with reason and rationality to oppress women is well portrayed in Moo-Sook Han’s debut work in the literary field, “Woman Carrying a Lamp.” Ok-Boon who has an inferiority complex towards her social position, Young-Hee who wants to break from the custom, and Wan-Ock who wants to become a modern woman all skillfully depict how women’s lives are affected by the change in awareness of women’s daily life, the meaning of family framed by women and family, free love, and free marriage and the change in family life space.
참고문헌 (10)
- 송인화, "성적 욕망의 풀어냄과 감추어짐", 한국문학연구학회지, 8, pp.159~ (1997)
- 李愛子, "韓戊淑 小說의 人物 硏究", 석사, 국어교육, pp.1998
- 이상경, "한국근대여성 문학 사론", pp.202~ (2002), 소명출판
- 김화영, "근대와 ?女性?의 문제", 일본어문학, 39(39), pp.275~294 (2007), 일본어문학회
- 전경옥, "한국여성문화사", pp.35~ (2004), 숙명여자대학교 아시아여성연구소
- 韓戊淑, "灯を持つ女" (2000), 櫂歌書房
- 한무숙문학관, "한무숙 육필원고전 마음을 채운 열정 칸을 채운 집념", 50~ (2010)
- 한일근대여성문학회, "세이토", pp.132~133 (2007), 어문학사
- 한일비교문학연구회, "비교문학자가 본 일본, 일본인", pp.7~ (2005), 현대문학
- 오희석, "한무숙 소설의 여성인물 연구", 석사, 국어국문학, pp.2001
