『漂海錄』과 『通俗漂海錄』의 비교를 통해 ‘통속’의 의미 再考

Abstract

This paper is a research for the discourse of ‘Popularity’ in the classics through the comparing and analyzing for the 『The record of Choi Bu(최부)’s castaway漂海錄』 in Chosun and 『Popular The record of Choi Bu(최부)’s castaway通俗漂海錄』 in Japan. The original text of 『Popular The record of Choi Bu(최부)’s castaway通俗漂海錄』 in Japan is 『The record of Choi Bu(최부)’s castaway漂海錄』 in Chosun. Followings are changes rendering 『The record of Choi Bu(최부)’s castaway漂海錄』 to『Popular The record of Choi Bu(최부)’s castaway通俗漂海錄』 literation was changed from Chinese characters to Japanese phonetic characters. Illustrations were put in. Annotates and interprets were loaded. And contents and straps line were added. Publishers asked to Kiyota to write proper books for beginners. Kiyota answered this demand with writing books on Kana within the limits of the possibility, showing chinese expressing with the pronunciation of a word in a Rubi, and adding explanations and annotations. After his death, 『The record of Choi Bu(최부)’s castaway漂海錄』 was re-published to『Popular The record of Choi Bu(최부)’s castaway通俗漂海錄』 by publishers had branched in Tokyo, Kyoto, and Osaka, where ‘Popularity’ means ‘marketability’. Like this, the birth of a ‘Popularity’ was accomplished in a plan of a business fund, more books could be sailed with adding the word of ‘Popularity’.