조선 문집 간행의 경위와 편찬 체제에 관한 일고찰 - 鄭道傳 『三峯集』의 사례를 중심으로 -

Abstract

The oldest munjip(a collection of one's works) of traditional Korea still extant refers to Choe Chiwon(崔致遠)‘s Gyewon Pilgyeong Jip(桂苑筆耕集). Whereafter, in Goryeo period, Lee Inro(李仁老) edited Lim Chun(林椿)'s Seoha Seonsaeng Jip(西河先生集) after his death. Right after that, Lee Gyubo(李奎報)'s Dongguk Isangguk Jip(東國李相國集) which is recognized to have regular form of munjip, was published. Munjips in Goryeo and Joseon period were edited, published and distributed, while having connections with the economic conditions, readers, needs of family and social demands etc. It is needed to treat not only munjip itself including its constitution, the way of gathering sources etc, but also the relationship between Hanggwon(行卷), manuscript(轉寫本) and published books, as the resourses of Hanmun study. Munjips in Goryeo and Joseon period was often republished. Some of them were published with the support of the royal government. In Joseon period, the dominant tendency was to collect one's whole works of poetry and prose, including related documents. The most common constitution of munjip was to separate poetry from prose and to line up by chronological order(in case of poetry) or by style of writing(in case of prose). But there were also not a few authors who didn't follow this constitution for certain reasons. And in many cases supplement was added which includes a chronological list of author's life, related works of his fellows, and criticism of descendants etc. This paper is to analyze publicatiion and republication of munjip, the constitution of munjip, and the manner of adding supplement, with the case of Jeong Dojeon(鄭道傳)'s Sambong Jip(三峰集). Jeong Dojeon complied his works and published his own munjip during his lifetime. After his death, his munjip was republished by his son, and again by the government under the reign of King Jeongjo after the restoration of his honor. This process shows eminently the meaning of publishing munjip in traditional Korea. Munjips in traditional Korea aimed for constitutional perfection and complete collection of author's whole works. Meanwhile, in the process of editing munjip not a few works were omitted, as there also was a tendency to select certain works with a certain editorial intention. It was in many cases due to (a) the contradiction between the intention of collection of whole works and of manifestation of editorial intention (b) the limit of information caused by classification of style (c) the question of Korean style Hanmun. In case of Sambong Jip, several evidences disclose the editorial intention of (a) making Jeong Dojeon's position firmly in Tao succession(道統) (b) collecting author's whole works (c) ruling a country with literature (d) ornating a country with literature. There are also some omitted works in spite of editer's all endeavor, including works that have been known to be other's. Although munjips in traditional Korea aimed for constitutional perfection and complete collection, they could not satisfy all expectations under restricted circumstances. It needs to collect related literature and to establish open text with chronological order.