D. H. Lawrence’s The Lost Girl: “in a kind of foreign language”
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Abstract
D. H. Lawrence’s The Lost Girl: “in a kind of foreign language” Lawrence’s The Lost Girl may not be the most representative among his novels. However, it is the first fictional representation which portrays a character, Alvina, who actively experiences cultural difference. Lawrence’s letter to Compton Mackenzie in 1920 states that “my Alvina, in whom the questing soul is lodged, moves towards reunion with the dark half of humanity” (L, ii. 519). Alvina physically and emotionally engages with the social, cultural and racial other, and goes beyond her old stable ego born and brought up in an rural Midland English town. Neil Roberts in D. H. Lawrence, Travel and Cultural Difference argues that “only The Lost Girl significantly anticipates the writings of 1921–25” which convey the importance of Lawrence’s journey out of England since The Rainbow. Thus, this novel is the fictional journey toward the Other, imagined and experienced as vivid and intensive as the later novels written outside England and Europe. Reading The Lost Girl may give a chance to appreciate Lawrence’s writing style as what Marcel Proust defines as writings “written in a kind of foreign language.”
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