「애러비」에 나타난 환멸과 자기 인식
Disillusion and Self-awareness in “Araby”
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
“Araby,” James Joyce's story of initiation shows the early confrontations of a young boy with illusion, deep disillusionment, and self-awareness. The pubescent boy-narrator adores Mangan’s sister with an ecstasy of secret love. It should be noted that romantic love and religious devotion are mixed up in his mind. He behaves like a knight-errant and during his brief conversation with the object of his desire, promises to bring her something from the bazaar. To him the familiarity of everyday Dublin is mixed with Mangan’s sister and the promise of the exotic bazaar, Araby. However, his disillusionment with the unexpected vulgarity of the bazaar leads to the collapse of his romantic quest. A banal conversation between a young lady and two young gentlemen and the bazaar's disappointing reality expose his own blindness and the vanity of his romantic illusion. He realizes that Mangan’s sister is exactly like the ordinary girl before him. And he refuses to deceive himself any longer. His realization leads to an epiphany, a sudden spiritual manifestation. Finally, he feels driven and derided by vanity, his eyes burning with anguish and anger. His self-realization and self-condemnation shows the end of his childhood and his initiation into adulthood.
Abstract
“Araby,” James Joyce's story of initiation shows the early confrontations of a young boy with illusion, deep disillusionment, and self-awareness. The pubescent boy-narrator adores Mangan’s sister with an ecstasy of secret love. It should be noted that romantic love and religious devotion are mixed up in his mind. He behaves like a knight-errant and during his brief conversation with the object of his desire, promises to bring her something from the bazaar. To him the familiarity of everyday Dublin is mixed with Mangan’s sister and the promise of the exotic bazaar, Araby. However, his disillusionment with the unexpected vulgarity of the bazaar leads to the collapse of his romantic quest. A banal conversation between a young lady and two young gentlemen and the bazaar's disappointing reality expose his own blindness and the vanity of his romantic illusion. He realizes that Mangan’s sister is exactly like the ordinary girl before him. And he refuses to deceive himself any longer. His realization leads to an epiphany, a sudden spiritual manifestation. Finally, he feels driven and derided by vanity, his eyes burning with anguish and anger. His self-realization and self-condemnation shows the end of his childhood and his initiation into adulthood.
참고문헌 (27)
- Attridge,Derek., "The Cambridge Companion to James Joyce" (1990), Cambridge UP
- Boyle, Robert, "James Joyce's Pauline Vision: A Catholic Exposition" (1978), Southern Illinois UP
- Bowen, "A Companion to Joyce Studies" (1984), Greenwood Press
- Brooks, "Cleanth and Robert Penn Warren. eds. Understanding Fiction" (1959), Appleton-Century-Crofts
- Brown, Richard, "A Companion to James Joyce" (2008), Blackwell Pub
- Bulson, Eric, "The Cambridge Introduction to James Joyce" (2006), Cambridge UP
- Chace, William M, "Joyce: A Collection of Critical Essays. Englewood Cliffs" (1974), Prentice-Hall
- Cheng, Vincent, "Joyce,Race,and Empire" (1995), Cambridge UP
- Collins, Ben L, ""Araby and the Extended Simile" Twentieth Century Interpretations of Dubliners", pp.93~99 (1968), Prentice-Hall
- Ellmann, Richard, "James Joyce" (1959), Oxford UP
- Ellmann, Richard., "Letters of James Joyce, II" (1966), The Viking P
- Grifford, Don, "Joyce Annotated: Notes for Dubliners and A Portrait of the Artist as a Young Man" (1982), U of California P
- Gordon, John, "James Joyce's Metamorphoses" (1981), Gill and Macmillan
- Henke,Suzette A, "James Joyce and the Politics of Desire" (1990), Routledge
- Joyce,James, "Dubliners" (1956), Penguin Books
- Lernout, Greet, "European Joyce, A Companion to James Joyce", pp.93~107 (2008), Blackwell Pub
- Litz, A. Walton, "James Joyce" (1972)
- Peake, C. H, "the Citizen and the Artist" (1977), Stanford UP
- Riquelme, "Stephen Hero, Dubliners, and A Portrait of the Artist a Young Man Styles of Realism and Fantasy,The Cambridge Companion to James Joyce", pp.30~103 (1990), Cambridge UP
- Ryf, Robert Stanley, "A New Approach to Joyce: The Portrait of the Artist as a Guidebook" (1962), U of California P
- Scholes, Robert, "Text, Criticism and Notes" (1969), Viking P
- Seidel, Michael, "A Short Introduction" (2002), Blackwell Publishers
- Stone, Harry, ""'Araby' and the Writings of James Joyce" Dubliners: Text, Criticism and Notes", pp.67~344 (1969), Viking P
- Tindall, William York, "A Reader's Guide to James Joyce" (1959), Thames and Hudson
- Walzl, Florence L, ""Dubliners" A Companion to Joyce Studieㄴ", pp.158~228 (1984), Greenwood P
- Wachtel, Albert, ""The Genesis of Constructive Self-Destruction in Joyce's Dubliners"", Spectrum XVI, 1(2), pp.75~84
- Werner, Craig Hansen, "Dubliners: A Pluralistic World" (1988), Twayne Publishers