조선조 무이도가(武夷櫂歌)에 대한 평가와 차운시(次韻詩)의 양상

Abstract

Zhu Xi's “Wuyi Boating Song(武夷櫂歌)” is evaluated not only as Confucian philosophical poet but also as pure lyric. In order to understand the Joseon literary person’s evaluation of “Wuyi boating song”, it is necessary to look into the aspects of the rhyme-borrowing poems. The evaluations of “Wuyi boating song” are disagreed, but as time goes on the define as Confucian philosophical poet have a strong tendency. Nevertheless, with a few exceptions, the aspects of the rhyme-borrowing poems of “Wuyi boating song” are far from Confucian philosophical poet. The more inclination of the rhyme-borrowing poems of “Wuyi boating song” is overwhelming in lyric poetry. Furthermore, the Taoistic tendency is stronger than the Confucian philosophical tendency. It is verified through analysis of actual works. Joseon literary persons were obsessed with Neo-Confucianism and ideologically preferred Confucian philosophical poet. Therefore, some literary persons rated “Wuyi boating song” as Confucian philosophical poet, apart from the actual aspect. But this is a rather farfetched view. In China, the rhyme-borrowing poems of “Wuyi boating song” have the strongest Taoistic tendency, which are romantic naturalism trend. It is closely related to the fact that Taoism was prevalent in China.