三魁堂 申從濩 시세계 연구

Abstract

This study was attempted to make more copious discussions on the history of Chinese poetry during the former period of Joseon on the basis of Goryongsego by Samgoedang-Shin, Jong-ho, whose collection of literary works that enables us to make a guess about the characteristic of substantial poem and prose has been in obscurity up to the present. Shin, Jongho’s 15 writings and about 1,000 pieces of poetry works included in Goryongsego can be judged to be sufficient enough to have a discussion at more practical, acutely-angled level in the composition of the history of the 15th century literature. Through this process, it is hoped that Shin, Jongho’s position in Chinese poetry history could get a new light. This research looked into Shin, Jongho’s poetry world by narrowing down to 1]interest and criticism of history 2]embodiment of romance poetry and poetical aspects 3] emotion in daily life and delicate description. Shin, Jongho did historical research on documents about Choi, Chi-won and also recited the history of the collapse of the Goryeo dynasty. Through such a historical recollection or poetry on historical facts or characters, he expressed a pride as a literary person of the Nation of the East and set an example from treacherous subjects-affected national ruin at that time. On the other hand, Shin, Jongho frankly and boldly expressed a woman, its related materials, or feelings between man and woman. Thus, we can take a glance at carefree, elastic thinking of the literary scholars at that time in that they positively used and enjoyed the expressions of a woman and their emotion. On top of that, it is worthy to be noted down as a characteristic that they expressed diverse human feelings in everyday life in a sorrowful and free way. Shin, Jongho enjoyed writing by quoting remarkable expressions used by others in his 20s, and his poetic languages were queer and abstruse, but afterwards, he learned the poetry made in the Tang dynasty, being rated to change the poetic style in his youth. Thus, we can make a guess that he might make poems prevailing in the Song dynasty at a level of learning of verse making or his poetry was close to the Gangseo style. However, he made mention of the fact that he proceeded with his poetry works bearing the poetry in the Tang dynasty in mind as an ideal standard. One more important point is that he distinguished himself from those who only made Geunche poetry[Chinese poetry adopting strict rules in writing]persisting in the poetry in the Tang dynasty. As examined previously in this research, Shin, Jongho’s poetry is showing diverse, individual phases in both poetic format and thematic aspects. The expression of “Being endowed with several formats” means that one’s poetry works are not limited to one side, but achieve an independent poetic stage with multiple poetic formats equipped. This research didn’t deal with Shin, Jongho’s perception of the realities at that time and view of literature diversely and extensively, though. This research cordially promises the follow-up study on substantial discussions and the ones that still remain to be desired.