본문 바로가기
KERD
논문KCI 등재

《列朝詩集》閏集“香奩”撰集考

1

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류중국어와문학

초록

Compilations of female poets and their canonization, have been a hot topic in the study of female literature of Ming‐qing dynasty. As a result, numbers of scholars have studied on compilations of works of female poets since the late Ming Dynasty. But, in contrast, ‘mirrors’ expressed in Qian Qianyi’s Liechao Shiji have been rarely studied. There are complicated causes, but the importance of this compilation is undisputable. Compared to compilations made in Ming dynasty, Liechao Shiji was completed later, and because its editor is Qian Qianyi, one of the best scholars in the time, so it represents the recognition of literary history and criticism on female literary of main stream scholars of the time. Because of Qian Qianyi’s political status made this compilation hardly gain broad reputation, but its real power of influence was considerable. Since there are few basic studies on Liechao Shiji, this article focused on its working process, material, structure and selection standard. And it aims to examine its relation with former compilations of female poets.

Abstract

Compilations of female poets and their canonization, have been a hot topic in the study of female literature of Ming‐qing dynasty. As a result, numbers of scholars have studied on compilations of works of female poets since the late Ming Dynasty. But, in contrast, ‘mirrors’ expressed in Qian Qianyi’s Liechao Shiji have been rarely studied. There are complicated causes, but the importance of this compilation is undisputable. Compared to compilations made in Ming dynasty, Liechao Shiji was completed later, and because its editor is Qian Qianyi, one of the best scholars in the time, so it represents the recognition of literary history and criticism on female literary of main stream scholars of the time. Because of Qian Qianyi’s political status made this compilation hardly gain broad reputation, but its real power of influence was considerable. Since there are few basic studies on Liechao Shiji, this article focused on its working process, material, structure and selection standard. And it aims to examine its relation with former compilations of female poets.

참고문헌 (114)

  1. "《列朝詩集》卷首, 第1頁上, 上海三聯書店1988年據汲古閣刊本縮版影印, 下引同。"
  2. "牧齋有學集", pp.815~ (1996), 上海古籍出版社
  3. "牧齋初學集, In 卷四五, 錢仲聯標校", pp.1137~ (1985), 上海古籍出版社
  4. 如錢氏, "《記鈔本北盟會編後》記神宗末年, In 余以史官里居, 思纂緝有宋元祐", 紹聖朋黨之論
  5. "以及靖康北狩之事, 考其始禍, 詳其流毒, 年經月緯, 作為論斷, 名曰《殷鑒錄》, 上之於朝", ~
  6. "以備乙夜之覽", 1762~
  7. "萬曆四十七年夏四月作《重輯桑海遺錄序》, 以元吳萊輯《桑海遺錄》不可得見, 而有重輯之意", 847~
  8. "《和東坡西台詩六首序》, 《牧齋有學集》卷一, 第8頁。", 8~
  9. "《賴古堂文選序》, 《牧齋有學集》卷十七,", 768~
  10. "有關錢氏降清以來行跡, 尤其“頌繫”一事, 記載頗多, 說法不一, 陳寅恪先生《柳如是別傳》 第五章“復明運動”中有詳考, 可參看", pp.864~924 (1980), 上海古籍出版社
  11. 周法高, "讀<柳如是別傳>》認為錢氏于順治四年三月、 順治五年四月二度被捕, 而前次乃牽連淄川謝陞案", ~
  12. 周書田, "柳如是事輯", pp.517~529 (2002), 中國美術學院出版社
  13. "柳如是別傳", pp.920~
  14. "列朝詩集", pp.467~
  15. "牧齋雜著, In 錢仲聯標校", pp.236~ (2007), 錢牧齋先生尺牘
  16. "嶺南學報", 11(1), pp.138~139 (1950)
  17. "柳如是別傳", pp.923~
  18. 以上均見, "錢牧齋先生尺牘, In 牧齋雜著", pp.313~
  19. "牧齋雜著", pp.301~
  20. "牧齋雜著", pp.304~
  21. "列朝詩集", pp.77~
  22. "列朝詩集", pp.47~
  23. "皇明開國功臣事略序, In 牧齋初學集", pp.844~845
  24. "《與吳江潘力田書》, 《牧齋有學集》卷三八", pp.1319~
  25. "上引《與吳江潘力田書》曰: “今《列朝詩集》載劉廌、 劉三吾及朝鮮陪臣諸事, 皆出於《辨證》 初稿之後……”可證其編纂《列朝詩集》曾利用《太祖實錄辯證》之基礎。 參見《列朝詩集》甲", ~
  26. "集卷一“小誠意廌”、 卷十三“鐂學士三吾”、 閏集卷六“守門下侍中鄭夢周”小傳中相關辨證", pp.91~
  27. "牧齋雜著", pp.236~
  28. "牧齋雜著", pp.305~
  29. "牧齋雜著", pp.305~
  30. "列朝詩集", pp.307~
  31. "列朝詩集》卷首", pp.1~2
  32. "牧齋有學集》卷十八", pp.781~
  33. "列朝詩集", pp.684~
  34. "柳如是集", pp.118~ (2001), 遼寧教育出版社
  35. "柳如是別傳", pp.982~984
  36. "《牧齋初學集》卷三三", pp.967~
  37. "柳如是別傳", pp.918~919
  38. 范景中, "《柳如是事輯》附錄", pp.517~529
  39. 參詳, "柳如是別傳", pp.983~
  40. 如孫康宜, "《陳子龍柳如是詩詞情緣》, 推測這部詩選合刊在錢謙益所編的《列朝詩集》裏", pp.42~ (1998), 西師範大學出版社
  41. "《黃氏千頃齋藏書記》, 《牧齋有學集》卷二六", pp.994~
  42. 吳騫, "參詳《清史列傳》卷七一“黃虞稷傳”、 吳騫《重校千頃堂書目跋》(《愚谷文存》卷四), 《千頃堂 書目》附錄", pp.795~799 (1990), 上海古籍出版社
  43. "其中“孟淑卿《荊山居士集》一卷、 “左掖小娥言氏《乙丑宮掖雜詩》一卷”", 系盧氏校補, ~
  44. "千頃堂書目", pp.801~
  45. "《跋初刻唐百家詩選》, 《潛邱劄記》卷五", 文淵閣四庫全書
  46. "牧齋雜著", pp.304~
  47. "《詩女史》卷十四“儲氏”, 嘉靖三十六年刻本", ~
  48. "列朝詩集", pp.673~
  49. "參見《盛明百家詩後編》之《李生集》, 嘉靖至萬曆刻本", pp.808~, 四庫全書存目叢書
  50. "《四庫全書總目》卷一九二集部“總集類存目二”《盛明百家詩》條, 中華書局1965年影印本", pp.1749~
  51. 過庭訓, "《本朝分省人物考》卷二八“俞憲”引俞氏自序", 天啟刻本
  52. "其較《詩女史》所增, 為劉方、 陳氏(少卿妻)、 潘氏、 俞節婦(俞憲母)四家。 中如錄陳氏《寄夫》1首(“野雞毛羽好”), 錢謙益在“香奩中”之“鐵氏二女”小傳已辨其實為釋道原樂府, 見", ~
  53. "列朝詩集", pp.656~
  54. "《盛明百家詩前編》卷首, 嘉靖至萬曆刻本", pp.403~, 四庫全書存目叢書
  55. "列朝詩集", pp.652~
  56. "盛明百家詩後編", pp.800~, 四庫全書存目叢書
  57. "列朝詩集", pp.651~
  58. "參見胡文楷《歷代婦女著作考》卷五“方仲賢”相關著述著錄, 第81頁。 有關《然脂集》卷帙及存佚情況, 見胡著附錄二“總集”《然脂集》條, 第906‐911頁。", 906~911
  59. "有關《然脂集》卷帙及存佚情況, 見胡著附錄二“總集”《然脂集》條", pp.906~911
  60. 連文萍, "《詩史可有女性的位置——方維儀與<宮閨詩評>的撰著》, 《漢學研究》", 17(1) (1999)
  61. "以上均見《明詩綜》卷八四, 康熙四十四年六峰閣刻本。"
  62. "《昭代叢書》乙集卷二八, 世楷堂藏板。"
  63. "參詳方秀潔《性別與經典的缺失: 論晚明女性詩歌選本》, 原載Chinese Literature: Essays, Articles, Reviews(CLEAR)", Chinese Literature: Essays, Articles, Reviews, 26, pp.129~149 (2010), 譯文載 南 陽師範學院學報
  64. "《閩中書畫錄》卷四“鄭文昂”小傳(據《古田縣志》著錄)", 民國三十二年合眾圖書館叢書本
  65. "茲據該著卷首迻錄如下: 程漢, 字孺文, 歙縣人; 胡宗仁, 字彭舉, 上元人; 畢良晉, 字康 侯, 歙縣人; 洪寬, 字仲韋, 莆田人; 劉潢, 字師藩, 莆田人; 王龍起, 字震孟, 龍溪人; 張士昌, 字隆父, 莆田人; 林楙, 字子丘, 福清人; 林古度, 字茂之, 福清人; 吳鼎芳, 字 凝甫, 洞庭人; 茅元儀, 字止生, 歸安人; 鮑山, 字元則, 歙縣人; 張正嶽, 字士貞, 南平 人; 鄭文星, 字明卿, 古田人(泰昌刻本)", ~
  66. "參詳拙著《竟陵派研究》的相關考論", pp.271~275 (2006), 復旦大學出版社
  67. "如鍾惺有《送鄭季卿之金陵兼寄南中所知》, 《隱秀軒集》詩玄集; 《鄭季卿採木行引》, 《隱 秀軒集》文餘集, 天啟二年沈春澤刻本"
  68. "譚元春有《鄭季卿移家至題其春草齋》, 《譚友夏合 集》卷二二, 崇禎六年刻本。"
  69. "《池北偶談》卷十八, 文淵閣四庫全書本"
  70. "據筆者撰作《鍾惺年譜》《竟陵派研究》時的考察, 確無鍾惺 編纂《名媛詩歸》的證據" (1993), 復旦大學出版社
  71. "明媛詩緯題辭》, 《牧齋有學集》卷四七", pp.1556~
  72. "列朝詩集", pp.665~
  73. "據高儒《百川書志》卷十九“集”著錄: “《明詩粹選》十卷。 皇朝山陰高播 居獲, 布衣人也。 所選公卿、 名士、 異人、 閨秀, 參拔諸選, 得二百四十六人。”(觀古堂書 目叢刊本)", ~
  74. "《列朝詩集》, 第656頁上。 《國朝文纂》卷首有張氏嘉靖四十三年自序, 謂“自癸丑(1553)冬 迄甲子(1564)之秋, 十一年間, 得詩文總若干卷, 繕寫成帙, 以備觀風考政者之一助云。” (隆慶六年銅活字本)《千頃堂書目》卷三一著錄為“五十卷”", ~
  75. "列朝詩集", pp.651~
  76. 胡文楷, "《歷代婦女著作考》卷五“明代一”之“《韓安人遺詩》一卷”條, 著錄“萬曆四十年壬子 (1612)刊本, 附于其夫韓邦靖集後。 前有康海序, 後有屈受善跋”(第127頁)。 又, 潘之恒 《亙史鈔》內篇卷二“韓安人屈氏”亦錄入, 並錄己序", pp.127~
  77. "列朝詩集", pp.657~
  78. "卷五“明代一”", 97~
  79. "列朝詩集", pp.657~
  80. "《千頃堂書目》卷二八著錄“屠瑤瑟《留香草》一卷”, 注曰“兩家兄弟彚刻, 懋學及隆為之序”, 未言及虞序", ~
  81. "卷五 明代一", pp.173~
  82. 姚旅, "《露書》卷四“馬守真”條記曰: “舊有稿二冊, 今散落, 僅見冒伯麐所選四美人數首耳"
  83. 丁福保, "《歷代詩話續編》, 中華書局版", pp.1125~
  84. "其中“閨品目”之“王文卿”, 疑為“王儒卿”之誤, 《青泥蓮花記》選其《寄吳郎》一詩, 即從《國雅》出", ~
  85. "該著不分卷, 明刻本。 朱彝尊《靜志居詩話》卷七“王佐”, 據曹學佺《十二代詩選》所錄辨其 出於王佐《宮怨》, 亦引游用之《夢蕉詩話》", pp.199~ (1990), 人民文學出版社
  86. "列朝詩集", pp.652~
  87. "列朝詩集", pp.439~
  88. "該集為丘氏錄與江夏營妓呼文如往來酬贈之詩。 梅鼎祚《鹿裘石室集》卷十八有《送泰符 入楚吊丘潮州往謙之寄余書及遙集編》", 天啟三年玄白堂刻本
  89. 鄭士弘, "鄭汝璧孫", ~
  90. "列朝詩集", pp.655~
  91. "牧齋有學集", pp.58~
  92. "列朝詩集, In 至於孫瑤華本人詩, 乃“景純子駿聲, 以手跡示余", pp.663~
  93. "參詳《書錢牧齋列朝詩選後》, 《林屋詩文稿》文稿卷十五, 康熙九籥樓刻本"
  94. "與張瑤星》之六, 《賴古堂集》卷二十, 康熙十四年周在浚刻本"
  95. "可參看《唐詩品彚》之諸體《敘目》" (1982), 上海古籍出版社
  96. "列朝詩集", pp.1~
  97. "《世說新語》卷下之上, 四部叢刊本"
  98. "《牧齋初學集》卷三三", pp.967~
  99. "《牧齋有學集》卷四七", pp.1556~
  100. "《玉台新詠》卷首, 嘉靖十九年鄭玄撫刻本"
  101. "姑蘇新刻彤管遺編》卷首《凡例》, 隆慶元年刻本"
  102. "列朝詩集", pp.651~
  103. "列朝詩集", pp.652~
  104. "《詩女史》卷十三, 嘉靖三十六年刻本"
  105. "列朝詩集", pp.657~
  106. "姑蘇新刻彤管遺編"
  107. "列朝詩集", pp.651~
  108. "見《名媛詩歸》卷三六, 明末刻本"
  109. "列朝詩集", pp.668~
  110. "《淑秀總集》卷首《明詩凡例》。 《四庫全書存目叢書》308冊", pp.403~
  111. "《古今名媛彚詩》卷首《凡例》"
  112. "由其下續言“討論風雅, 別裁偽體, 有孟陽之緒言在, 非吾所敢任也, 請以俟世之作者”(《列朝詩集》卷首, 第1頁下), 那樣一種頗顯敘述策略的說法, 益可見其自負", ~
  113. "參詳《歷代婦女著作考》卷六“明代二”之“徐皇后”條, 第138頁。 徐皇后, 即仁孝文皇后, 明成祖後, 中山王徐達女, 所著有《內訓》一卷", 勸善書
  114. "列朝詩集", pp.658~

관련 논문AI추천

이 간행물의 다른 논문 (18건)