嶺南樓記의 變貌 樣相－주로 구성 방식을 중심으로－

Abstract

This work studied the 13 pieces of record of Yeong-Nam Pavilion which was composed for 460 years(1389~1848) paying attention to an aspect of transformation. This aspect can be divided into three periods and each period had a certain aspects as follows. Thecharacters of the record of Yeong-Nam Pavilion in 14C were the mixture of description and discussion. It was an imitation of the method of composition about the record of Dang and Song. But its discussion had just an assortment of goods and did not create a sensation to the readers. These limitation was dealt successfully with next century which tried to secure independent literary style. The record of Yeong-Nam Pavilion in 15~16C showed intensification about the tendency of discussion clearly. Sung Confucianism culture was the world spirit so the main contents of poetry and prose were Sung Confucianism discussion, which made some changes of the record of Yeong-Nam Pavilion. Awakening about the fact that objective description could not satisfy writer’s personal expression, auxiliary discussion was reinforced. Instead of the objective description of object of the record, subjective discussion got settled. Especially the name of Yeong-Nam Pavilion was not good for Sung Confucianism discussion, so alternative plan was about the relationship between the leading people who visited Yeong-Nam Pavilion, Miryang and Yeong-Nam Pavilion. Thus the tendency of discussion was intensified more than the overall records of 16C. The characters of the Record of Yeong-Nam Pavilion in 18~19C were the development of description-centeredness. In art real landscape laid stress on the description of actual view, in music a folk song was more popular than classical music and in literature the record of the facts considered more important. According to these practical science, discussion was weaken and the method of composition changed to descriptive way. Description of the necessity of repairing Yeong-Nam Pavilion and discernment considered more significant than discussion of the relationship between Yeong-Nam Pavilion and Miryang, Yeong-Nam Pavilion and the repairmen of it. Development of description-centeredness included even the repair statement of Yeong-Nam Pavilion which was likely to be an official document showing the lack of literature. This was because former period focused excessively on discussionso the original value of the record of facts weakened and it turned to the direction of weakening discussion and strengthening description.