石北 申光洙의 「反招魂」에 대한 考察

Abstract

This writing is a thesis prepared as a part of conducting the research on Seokbuk, Shin, Kwang-su(1712~1775)’s Chinese poetry world. This writing looked intensively into the characteristic aspects of the poet <Anti-Spirits Invocation> created by Shin, Kwang-su in memory of Dugi Choi, Seong-dae(1691~1762)'s death in 1762 when Seokbuk was Chambong(an official) in charge of Yeongneung Royal Tomb, Yeoju. The poem <Anti-Spirits Invocation> was created by observing the poetic word, ‘Haesangsamdo; Three Islands on the Sea’ of <Gwanhwabu> left by Choi, Seong-dae with his death ahead. Choi, Seong-dae borrowed the poetic word ‘Haesangsamdo’ from the Tang State poet Mèng Hàorán's <Gicheontaedosa; Sending to Ascetic Cheontae>, in which Choi,Seong-dae revealed his own aspiration for a fairyland through Samsinsan which was believed to be in the East Sea. Shin, Kwang-su, who delicately grasped the essentials of ‘Aspiration for a Fairyland’, embodied its meaning in the poem vividly. This writing looked into Seokbuk's attitude of consoling Choi, Seong-dae, who suffered from mental distress and deep scars caused by this & that up and down in the real world, by adding Taoist idea to Choi, Seong-dae’s soul, and also the attitude of discernment by sublimating Choi, Seong-dae's hard life into mythical imagination. <Anti-Spirits Invocation> is the work which imitated Song, Ok’s conception structure, in which the writer calls back the spirit of the dead QūYuán in his work <Evocation>, but the work <Anti-Spirits Invocation> exposes unique creativity by displaying transformational subtlety in the central idea of the work, narrative style, and sentence management. First of all, <Anti-Spirits Invocation> is transformed through the mix of the deceased person's usual deeds in this world with Shin, Kwang-su’s personal literary ideology and psychological expression, showing clearly Shin's personality as a poet and differential technique.