위화(余華)의 새로운 글쓰기에 대한 비판적 고찰:『형제』 속의 개혁개방 시대를 중심으로
The Critical Study of Yu Hua’s New Writing Style: Focusing on the Post-Mao Reform Era as Depicted in Brothers
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This essay critically considers Yu Hua’s new narrative in his novel『Brothers』, created just for ten years after the 『A story of Mr. Xu Shan-guan's selling blood』. In the 1990 his novels, for example『Shouting in the drizzling rain, life』ㆍ『Life』ㆍ『A story of Mr. Xu Shan-guan's selling blood』, Yu Hua had such essential features as the firm conviction and expectation towards human potentiality and life’s transcendency. But Yu Hua’s new narrative in his novel Brothers, so called the narrative of mad enjoyment, has no real resemblance to his novels in the 1990, to which Yu Hua as a human novelist owes his fame. I think it must strike to every one, specially those deeply understanding his novel's artistic excellence. Because they can't find humanism, inherent in the title of Yu Hua’s novels, in his new novel Brothers. Through this research, I will suggest that Yu Hua's new narrative should regarded not only as a consequence of the development of understanding the human and life in real China, but also as a consequence of the challenge of creating new narrative. It seems to me that this is the human process of Yu Hua's evolution against capitalized China absorbed in mad enjoyment.
Abstract
This essay critically considers Yu Hua’s new narrative in his novel『Brothers』, created just for ten years after the 『A story of Mr. Xu Shan-guan's selling blood』. In the 1990 his novels, for example『Shouting in the drizzling rain, life』ㆍ『Life』ㆍ『A story of Mr. Xu Shan-guan's selling blood』, Yu Hua had such essential features as the firm conviction and expectation towards human potentiality and life’s transcendency. But Yu Hua’s new narrative in his novel Brothers, so called the narrative of mad enjoyment, has no real resemblance to his novels in the 1990, to which Yu Hua as a human novelist owes his fame. I think it must strike to every one, specially those deeply understanding his novel's artistic excellence. Because they can't find humanism, inherent in the title of Yu Hua’s novels, in his new novel Brothers. Through this research, I will suggest that Yu Hua's new narrative should regarded not only as a consequence of the development of understanding the human and life in real China, but also as a consequence of the challenge of creating new narrative. It seems to me that this is the human process of Yu Hua's evolution against capitalized China absorbed in mad enjoyment.
참고문헌 (13)
- 余華, "兄弟(上,下部)" (2005), 上海文藝出版社
- 위화, "형제 1,2,3" (2007), 휴머니스트
- 위화, "위화의 형제 작가노트" (2007), 휴머니스트
- 陳思和, "我對 兄弟 的解讀, 文藝爭鳴" (2007)
- 潘盛, "綜述: 關于 兄弟 的批評意見, 文藝爭鳴" (2007)
- 미하일 바흐찐, "프랑수아 라블레의 작품과 중세 및 르네상스의 민중문화" (2001), 아케넷
- 프랑수아 라블레, "가르강튀아∥팡타그뤼엘" (2004), 문학과지성사
- 멍판화, "중국, 축제인가 혼돈인가" (2002), 예담
- 이종민, "근대 중국의 문학적 사유 읽기" (2004), 소명출판
- 이종민, "글로벌 차이나" (2007), 산지니
- 허칭롄, "중국은 지금 몇 시인가" (2004), 홍익출판사
- 순리핑, "단절" (2007), 산지니
- 심혜영, "1990년대 위화(余華) 소설의 휴머니즘과 미학", 중국현대문학, (39), pp.355~389 (2006), 한국중국현대문학학회