樣板戱의 ‘그녀들’, 그리고 중국의 페미니즘
The Women in Yangbanxi, and Chinese Feminism
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This study performed the relationship between Yangbanxi andChinese feminism with 7 literary works, The Red Lantern,Shajiabang, On the Dock, Dujuanshan, The Red Detachment ofWomen, The White-Haired Girl, and Ode of the Dragon River,which had described heroines in them. In this study, I firstinvestigated chinese feminism before Yangbanxi, which could bedefined as oppressed female consciousness derived from the feudalEthics and Morals, and political and social characters for women'sliberation in Chinese modern period. The Yangbanxi was createdunder political purpose on class struggle thoroughly. ThereforeYangbanxi needed image of woman that had been oppressed mostlyin society. They not only represented the proletarian but wereeligible to models who changed to revolutionalists. The feminism inYangbanxi also connected to convinced classic feminism of feudalethics. The character of patience keeping virtues asked to womenin feudal period was modified in terms of service for people andclass strife in Yangbanxi. In Yangbanxi, the gender identity wasnot expressed because it was regarded as the exclusive property of the propertied class. Yangbanxi dealed women's issues in terms ofpropaganda, not feministic views, because the Cultural Revolutionasked feminism to be considered with viewpoint of class release. This has a value of handling women's political release but neglectsexual equality from an point of feministic view. It might beconsidered that the women in Yangbanxi had accomplished politicalrelease in some extent in China and are going forward feminism ingender at a slower rate though. In conclusion, it could be said thatYangbanxi made chinese feminism materialized and contributed totake its course.
Abstract
This study performed the relationship between Yangbanxi andChinese feminism with 7 literary works, The Red Lantern,Shajiabang, On the Dock, Dujuanshan, The Red Detachment ofWomen, The White-Haired Girl, and Ode of the Dragon River,which had described heroines in them. In this study, I firstinvestigated chinese feminism before Yangbanxi, which could bedefined as oppressed female consciousness derived from the feudalEthics and Morals, and political and social characters for women'sliberation in Chinese modern period. The Yangbanxi was createdunder political purpose on class struggle thoroughly. ThereforeYangbanxi needed image of woman that had been oppressed mostlyin society. They not only represented the proletarian but wereeligible to models who changed to revolutionalists. The feminism inYangbanxi also connected to convinced classic feminism of feudalethics. The character of patience keeping virtues asked to womenin feudal period was modified in terms of service for people andclass strife in Yangbanxi. In Yangbanxi, the gender identity wasnot expressed because it was regarded as the exclusive property of the propertied class. Yangbanxi dealed women's issues in terms ofpropaganda, not feministic views, because the Cultural Revolutionasked feminism to be considered with viewpoint of class release. This has a value of handling women's political release but neglectsexual equality from an point of feministic view. It might beconsidered that the women in Yangbanxi had accomplished politicalrelease in some extent in China and are going forward feminism ingender at a slower rate though. In conclusion, it could be said thatYangbanxi made chinese feminism materialized and contributed totake its course.
참고문헌 (39)
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