耕齋 李建昇의 亡命 前後 梅花詩 變化 樣相 硏究

Abstract

This paper is about the before and after the writer's exile of Maewha(Apricot flowers) poems written by Gyeongjae Geon-Seung Lee(1858~1924), who exiled to west-Gando after Gyungsulgukchi. He left 12 works made of 53 phrases of Maewha poems. His Maewha poems can be divided into two groups; 8 works made of 44 phrases written before his exile during his contemplation and 4 works made of 9 phrases written after his exile exposing his yearning for Maewha in his homeplace. The works before his exile can also be divided into 2 groups, and the Maewha poems written very after the Eulsaneukyack show big changes in his thoughts about Maewha. His Maewha poems were like before the Eulsaneukyack in the view of their admiring the figure of Maewha. But very after the Eulsaneukyack, he wrote his faint hopes for destruction of Eulsaneukyack in his Maewha poem with 18 phrases through the revival of Maewha almost about to death for 7 years. But Maewha poems after his exile show his yearning. At that time, Gyeongjae reflected his yearning about his hometown, his elder brother Gun-seung Lee who planted Wolsamae and his hopeless of independence in his nostalgia about Maewha. And Gyeongjae made the largest number of Maewha poems in the same age except Yun-sik Kim. But Gyeongjae must be the top writter whose life corresponds to the symbol of Maewha, because Yun-sik Kim is under a cloud of the pro-Japanese problem. In this point, Maewha poems written by Gyeongjae has its meaning in the history of literature from the end of 19th Century to the early 20th Century. Also they made Maewha poems which were quit at 18th Century connected to In-bo Jung's Maewha poems to 20th Century in the Korean history of literature. In addition, the fact that the school of Gangwha loved Maewha is made more clear through Gyueongjae's Maewha poems.