타이완 세계시민주의의 시각과 정체성
Visuality and Identity in Taiwan Cosmopolitanism
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It seems again to be the case that the age of empire is upon us, and it behooves us to consider this return of the age of empire in the contemporary historical context in order to ask the question whether a Taiwan cosmopolitanism is possible. The aim of this contextualization is to search for ways of understanding cosmopolitan expressions of Sinophone cultures such as Taiwan’s, even while metropolitan cosmopolitanism at large increasingly exhibits greater and greater imperial intentions, and the pressures of new forms of imperialism appear to be narrowing the space for cosmopolitan potentials from the margins. This chapter analyzes one ethically responsible form of cosmopolitanism from the margins that defies regulative logics and politics of transnational recognition. It also seeks to establish Sinophone culture as but one aspect of Taiwan culture, oral, written, and visual languages of Taiwan’s multiculture exhibit the Sinophone’s resistance to China-centrism on the one hand, while they also show how the Sinophone transitions to the Taiwanese (multiethnically and multiculturally defined) on the other. Their constitutive relationship is a relationship between part and whole (Sinophone culture is a part of Taiwan culture). I set up two frameworks below ― one is that of empire and imperialism, and the other that of cosmopolitanism.
Abstract
It seems again to be the case that the age of empire is upon us, and it behooves us to consider this return of the age of empire in the contemporary historical context in order to ask the question whether a Taiwan cosmopolitanism is possible. The aim of this contextualization is to search for ways of understanding cosmopolitan expressions of Sinophone cultures such as Taiwan’s, even while metropolitan cosmopolitanism at large increasingly exhibits greater and greater imperial intentions, and the pressures of new forms of imperialism appear to be narrowing the space for cosmopolitan potentials from the margins. This chapter analyzes one ethically responsible form of cosmopolitanism from the margins that defies regulative logics and politics of transnational recognition. It also seeks to establish Sinophone culture as but one aspect of Taiwan culture, oral, written, and visual languages of Taiwan’s multiculture exhibit the Sinophone’s resistance to China-centrism on the one hand, while they also show how the Sinophone transitions to the Taiwanese (multiethnically and multiculturally defined) on the other. Their constitutive relationship is a relationship between part and whole (Sinophone culture is a part of Taiwan culture). I set up two frameworks below ― one is that of empire and imperialism, and the other that of cosmopolitanism.
참고문헌 (19)
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