新世纪初中国文学中的“农村进城青年”
“Rural Migrant Youth” in Chinese Literature at the Beginning of New Century
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In China, with the arrival of the new century, a new wave of “urbanization” and the tide of migrant workers driven by it also followed. Some writers who write subaltern began to pay attention to the subject of “migrant workers”, and they created their works with great success, forming a complicated literary landscape in the contemporary literary world. These writers create the characters of migrant workers, narrate and imagine their work and life after they go to cities, as well as their situation of discrimination and the way out in the future, and more importantly, reproduce the spiritual state of the typical characters in the typical environment, which presents loneliness, wandering, depression and so on. The most important of these are being stuck and anxiety.These mental conditions represent that city is gradually becoming a “dangerous place” for migrant workers, while the countryside has become a place they “cannot go back to”, which further represents their “dissociating” state between urban and rural and the cultural crisis they are facing.
Abstract
In China, with the arrival of the new century, a new wave of “urbanization” and the tide of migrant workers driven by it also followed. Some writers who write subaltern began to pay attention to the subject of “migrant workers”, and they created their works with great success, forming a complicated literary landscape in the contemporary literary world. These writers create the characters of migrant workers, narrate and imagine their work and life after they go to cities, as well as their situation of discrimination and the way out in the future, and more importantly, reproduce the spiritual state of the typical characters in the typical environment, which presents loneliness, wandering, depression and so on. The most important of these are being stuck and anxiety.These mental conditions represent that city is gradually becoming a “dangerous place” for migrant workers, while the countryside has become a place they “cannot go back to”, which further represents their “dissociating” state between urban and rural and the cultural crisis they are facing.
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