청말시기 신소설론의 미디어적 시각
New Fiction (XinXiaoshuo) Discourse in the late Qing Dynasty Under Media Perspective
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
It is well known that the notion of xiaoshuo (fiction) wastransformed during the late-Qing period. Many scholars haveexamined the changes to the notion of xiaoshuo in terms ofaesthetics, etymology, and narratology. But These researches havesome distinct limits to explain causes that made Xiaoshuo raise inthat period and meanings that Xiaoshuo have occupied animportant position in Chinese literature in the 20th century. This paper explore New Fiction (XinXiaoshuo) discourse in thegeneric context of enlightenment discourse. Firstly the paperanalyse social context and inner logic of New Fiction (XinXiaoshuo)discourse which began with political fiction advocated by LiangQichao. Secondly, This paper clarifies the difference between thenotions of traditional xiaoshuo and New Fiction (XinXiaoshuo). Butthis research concentrate upon the meanings of NewFiction (XinXiaoshuo) from the media perspective, analyzesinter-remediation among Newspaper, periodical and New Fiction. Lastly, the paper tries to make an explanation of novel criticism asmedia criticism.
Abstract
It is well known that the notion of xiaoshuo (fiction) wastransformed during the late-Qing period. Many scholars haveexamined the changes to the notion of xiaoshuo in terms ofaesthetics, etymology, and narratology. But These researches havesome distinct limits to explain causes that made Xiaoshuo raise inthat period and meanings that Xiaoshuo have occupied animportant position in Chinese literature in the 20th century. This paper explore New Fiction (XinXiaoshuo) discourse in thegeneric context of enlightenment discourse. Firstly the paperanalyse social context and inner logic of New Fiction (XinXiaoshuo)discourse which began with political fiction advocated by LiangQichao. Secondly, This paper clarifies the difference between thenotions of traditional xiaoshuo and New Fiction (XinXiaoshuo). Butthis research concentrate upon the meanings of NewFiction (XinXiaoshuo) from the media perspective, analyzesinter-remediation among Newspaper, periodical and New Fiction. Lastly, the paper tries to make an explanation of novel criticism asmedia criticism.
참고문헌 (42)
- "申報", ~
- "時務報", ~
- "清議報", ~
- "新小說", ~
- "新世界小說社報", ~
- "遐邇貫珍" (2005), 上海辭書出版社
- "國聞報彙編" (1983), 文海出版社
- 翟灝, "通俗編", ~
- 東越胡應麟撰, "小室山房筆叢", 廣雅書局
- "繡像忠烈小五義傳" (1891), 文光樓書坊
- "花月痕", 閩雙笏盧藏板, 光緖戊子夏月開雕, ~
- "文學興國策" (2002), 上海書店出版社
- 坪內雄蔵, "小說神髓" (1919), 松月堂
- 孔慶茂, "林紓傳" (1998), 團結出版社
- 斯土活, "黑奴籲天錄" (1981), 商務印書館
- 阿英, "晚清文學叢鈔⋅小說戲曲研究卷" (1960), 中華書局
- 陳文新, "中國筆記小說史" (1995), 志一出版社
- "康南海先生遺著彙刊十一⋅日本書目志. 小說門", 宏業書局影印
- 王利器 輯錄, "元明淸三代禁毁小說戱曲史料" (1981), 上海古籍出版社
- 丁錫根, "中國歷代小說序跋集(下)" (1996), 人民文學出版社
- 餘治, "得一錄", 蘇州得見齋, ~
- 陳平原, "二十世紀中國小說理論資料(第一卷)" (1997), 北京大學出版社
- 李提摩太, "親歷晚清45年—李提摩太在華回憶錄" (2005), 天津人民出版社
- 陳大康, "中國近代小說編年" (2002), 華東師範大學出版社
- 丁文江, "梁啓超年譜長編" (1983), 上海人民出版社
- "淸末時新小說集" (2011), 上海古籍出版社
- 戴吉禮, "傅蘭雅檔案" (2010), 廣西師範大學出版社
- 이언 와트, "소설의 발생" (2009), 강
- 리디아 리우, "언어횡단적 실천" (2005), 소명출판
- "Chinese Recorder", ~ (1896)
- Cathy N. Davidson, "Revolution and the Word: The Rise of the Novel in America" (1986), Oxford University Press
- Margaret Cohen, "The literary Channel: The International Invention of the Novel" (2002), Princeton University Press
- 陳平原, "소리 있는 중국―‘演說’과 近現代 中國文章의 變革", 대동문화연구, 12(58), pp.61~133 (2007), 대동문화연구원
- 김수연, "만청시기 소설 공모와 원고료 제도", 중국어문논총, (58), pp.279~318 (2013), 중국어문연구회
- 劉曉軍, "'說部'考", 學術硏究, 2 (2009)
- 王栻, "嚴複集" (1986), 中華書局
- 皮後鋒, "《國聞報》所刊《本館附印說部緣起》之作者考辨", 明清小說研究, 3 (2011)
- 後藤宙, "時文(小說界の新生面", 吾人の所見), pp.11, ~
- 後藤宙, "時文(再び政治小説を論ず", 任は誰れにかある), pp.12, ~
- 寇振鋒, "清末政治小説の術語、概念の形成と明治政治小説との関わり", 言語文化論集, ⅩⅩⅨ(1) (2007)
- 西田谷洋, "翻訳と歴史" (2000), ナダ出版センター
- 沈國威, "康有爲及其《日本書目志》", 或問 WAKUMON, 51(5) (2003)