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African-American Woman’s Sexuality: A Study of Georgia Douglas Johnson’s Poetic Representation

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African-American Woman’s Sexuality: A Study of Georgia Douglas Johnson’s Poetic Representation Sehee Byun (GyeongSang Nat’l Univ.) Georgia Douglas Johnson is a best-known Black woman poet during the 1920s’ Harlem Renaissance. Cosmopolitan cities such as Harlem, NY and Washington D. C. provided black women writers with new opportunities for speaking up their creative voices in the New Negro Movement. They took an active part in progressing New Negro images and fostered their evolving sense of modern womanhood, inspiring others to challenge the social ideas of African American feminity. This study introduces Georgia Douglas Johnson’s poetic commitment to representing African-American women’s sexuality a fresh and authentic mode. In her poems black woman speakers make a bold insistence on black woman’s creative identity and reveal a modern sensibility that would emerge more fully in the course of Harlem Renaissance. Even though Jonson didn’t raise her voices directly in the protest against racial prejudices, she tried to combat the dehumanized images of black female femininity. As one of representative New Negro woman poets, Johnson made an important contribution to revising the stifling images of black women of the 1920s.

Abstract

African-American Woman’s Sexuality: A Study of Georgia Douglas Johnson’s Poetic Representation Sehee Byun (GyeongSang Nat’l Univ.) Georgia Douglas Johnson is a best-known Black woman poet during the 1920s’ Harlem Renaissance. Cosmopolitan cities such as Harlem, NY and Washington D. C. provided black women writers with new opportunities for speaking up their creative voices in the New Negro Movement. They took an active part in progressing New Negro images and fostered their evolving sense of modern womanhood, inspiring others to challenge the social ideas of African American feminity. This study introduces Georgia Douglas Johnson’s poetic commitment to representing African-American women’s sexuality a fresh and authentic mode. In her poems black woman speakers make a bold insistence on black woman’s creative identity and reveal a modern sensibility that would emerge more fully in the course of Harlem Renaissance. Even though Jonson didn’t raise her voices directly in the protest against racial prejudices, she tried to combat the dehumanized images of black female femininity. As one of representative New Negro woman poets, Johnson made an important contribution to revising the stifling images of black women of the 1920s.

참고문헌 (12)

  1. Collins, Patricia Hill, "Black Feminist Thought" (2009), Routledge
  2. Giddings, Paula, "The Impact of Black Women on Race and Sex in America" (1984), William Morrow
  3. Johnson, Georgia Douglas, "An Autumn Love Cycle" (1971), Books for Libraries P
  4. Johnson, Georgia Douglas, "The Selected Works of Georgia Douglas Johnson" (1997), G.K. Hall
  5. Mance, Ajuan, "Inventing Black Women" (2007), U of Tennessee P
  6. McIntosh, Peggy, "Interactive Phases of Curricular Re-vision a Feminist Perspective" (1984), Wellesley College Center for Research on Women
  7. Honey, Maureen, "Shadowed Dreams: Women’s Poetry of the Harlem Renaissance" (2006), Rutgers UP
  8. hooks, bell, "Talking Back: Thinking Feminist, Thinking Black" (1989)
  9. Huggins, Nathan Irving, "Harlem Renaissance" (2007), Oxford UP
  10. Hull, Gloria T, "Color, Sex and Poetry" (1987), Indiana UP
  11. Rose, Lorrain Elena, "Harlem Renaissance And Beyond: Literary Biographies of 100 Black Women Writers" (1990), Harvard UP
  12. Tate, Claudia, "The Selected Works of Georgia Douglas Johnson", pp.xvii~lxxx (1997), G.K. Hall

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