팬자막과 전통 영상번역은 과연 다른가? - 다중기호성을 반영한 영상번역 정의와 자막 형태, 자수 제한, 이국화 전략 탐구
Fransubs and Professional Audiovisual Translations: Are they really different?
1
조회
0
다운로드
29
인용
0
참고문헌
키워드
초록
The active adoption of subtitles in various styles and positions in audiovisual contents is now expanding the scope of audiovisual translation, raising the need to redefine audiovisual translation. This paper explores how the evolution of audiovisual contents are changing the way professional audiovisual translation is done and how it is narrowing gaps between professional audiovisual translations and fansubs from three perspectives derived from the existing research: form and position of subtitles, limitation on the length of subtitles and domestication/foreignization strategies. First, existing research often argues that, unlike professional subtitles, fansubs differentiate font sizes, colors and styles and the positions of the subtitles to distinguish between actors and types of messages. Recent subtitles by professionals also show similar features. They are also very active in delivering the non-verbal semiotic messages of ST. Second, it is often said that, unlike professional subtitles, fansubs are free from the limitation on their lengths. However, professional subtitles are now witnessed to begin to break away from the length limitation in certain channels, especially the Internet which targets IT-savvy audiences who are willing to replay the video to fully understand the message. Third, fansubs do not always go for literal translation or the foreignization strategy as argued in major research. The recent findings are that free translation or domestication strategy is also employed by fansubbers for the viewers’ easier understanding.
Abstract
The active adoption of subtitles in various styles and positions in audiovisual contents is now expanding the scope of audiovisual translation, raising the need to redefine audiovisual translation. This paper explores how the evolution of audiovisual contents are changing the way professional audiovisual translation is done and how it is narrowing gaps between professional audiovisual translations and fansubs from three perspectives derived from the existing research: form and position of subtitles, limitation on the length of subtitles and domestication/foreignization strategies. First, existing research often argues that, unlike professional subtitles, fansubs differentiate font sizes, colors and styles and the positions of the subtitles to distinguish between actors and types of messages. Recent subtitles by professionals also show similar features. They are also very active in delivering the non-verbal semiotic messages of ST. Second, it is often said that, unlike professional subtitles, fansubs are free from the limitation on their lengths. However, professional subtitles are now witnessed to begin to break away from the length limitation in certain channels, especially the Internet which targets IT-savvy audiences who are willing to replay the video to fully understand the message. Third, fansubs do not always go for literal translation or the foreignization strategy as argued in major research. The recent findings are that free translation or domestication strategy is also employed by fansubbers for the viewers’ easier understanding.
참고문헌 (23)
- 권길호, "TV 예능프로그램 자막의 유형 분류 연구 - <1박2일>을 중심으로 -", 우리말연구, (31), pp.229~252 (2012), 우리말학회
- 김선영, "팬 자막(Fansubs)의 독자 반응 조사 연구", 석사, 영어영문학과 번역학전공, pp.2013
- 박경리, "미국 드라마 팬자막 이용자의 선호도 조사", 번역학연구, 14(5), pp.117~141 (2013), 한국번역학회
- 박지혜, "자막의 효과에 관한 연구 : TV 오락프로그램 '상상플러스'의 분석을 중심으로", 석사, 신문방송학, pp.2007
- 박찬순, "그 때 번역이 내게로 왔다 : 영상번역, 소통의 미학" (2005), 도서출판 한울
- 이명진, "TV 프로그램 속 영상자막 (Visual Characters)의 활용 및 표현에 관한 연구", 커뮤니케이션 디자인학연구, 27, pp.27~40 (2008)
- 이지민, "웹 2.0 시대의 네티즌 번역에 관한 연구", 박사, pp.2014
- 이지민, "전통 영상번역과 팬자막 비교 연구: 문화 관련 어휘 번역을 중심으로", 통번역학연구, 19(2), pp.135~158 (2015), 통번역연구소
- 장민호, "영화장르별 자막번역의 양적 변화 연구", 박사, 통역번역학, pp.2008
- 정희정, "팬자막(Fansubs)의 특성 연구 : 「섹스 앤 더 시티(Sex and the City)」를 중심으로", 석사, 번역학, pp.2010
- Brondeel, Herman, "Teaching subtitling routines", Meta, 39(1), pp.26~33 (1994)
- Delabatista, Dirk, "Translation and mass communication: film and TV translation as evidence of cultural dynamics", Babel, 35(4), pp.193~218 (1989)
- Díaz Cintas, Jorge, "Fansubs: audiovisual translation in an amateur environment", The Journal of Specialised Translation, 6, pp.37~52 (2006)[DOI]
- Díaz Cintas, Jorge, "Audiovisual Translation : Subtitling" (2007), St. Jerome
- Ferrer-Simo, "Fansubs y scanlations: a influencia del aficionado en los criterios profesionales", Puentes, 6, pp.27~44 (2005)
- Gottlieb, Henrik, "Subtitling: Diagonal Translation", Perspectives: Studies in Translatology, 2(1), pp.101~121 (1994)
- Gottlieb, Henrik, "Routledge Encyclopedia of Translation Studies", pp.244~248 (1998), Routledge
- Jakobson, Roman, "The Translation Studies Reader", pp.113~118 (2000), Routledge
- 이은숙, "A Study on Challenging Issues in Subtitling: Focus on Film and Documentary Genre", 통역과 번역, 12(1), pp.179~198 (2010), 한국통역번역학회
- Luyken, Gorge-Michael, "Overcoming Language Barriers in Television: Dubbing and Subtitling for the European Audience" (1991), The European Institute for the Media
- Nornes, Abé, Mark, "For an abusive subtitling", Film Quarterly, 52(3), pp.17~34 (1999)[DOI]
- Pérez-González, Luis, "Fansubbing anime: Insights into the ‘butterfly effect’ of globalization on audiovisual translation", Perspectives : Studies in Translatology, 14(4), pp.260~277 (2006)
- Pérez-González, Luis, "‘Intervention in new amateur subtitling cultures: a multimodal account", Linguistica Antverpiensia, 6, pp.67~80 (2007)